[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-fence-me-in":3},"title: Don't Fence Me In\ncomposer: Cole Porter\nstyle: Medium Swing\nkey: F\nform: ABCD, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1 | F       # tonic: the 4th is in the key\n1 | FMaj7   # tonic: the 4th is in the key\n2 | F6      # tonic: the 4th is in the key\n2 | FMaj7   # tonic: the 4th is in the key\n3 | F6      # tonic: the 4th is in the key\n3 | D7b13   # V7\u002Fii in F: the b13 is in the key\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FI in F: natural tensions\n5 | Gm7     # ii of C7: Dorian\n5 | C7      # V7\u002FI in F: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FI in F: natural tensions\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n\nsection: B\n1 | FMaj7   # tonic: the 4th is in the key\n2 | F7      # I7 in F, not resolving: natural tensions\n2 | F7#5    # V7\u002FIV in F: #11 and b13 from the symbol\n3 | Bb6     # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n4 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Eb9     # back door bVII7 to F: the #11 is in the key\n5 | F       # tonic: the 4th is in the key\n6 | D7b9    # VI7 in F, not resolving: the b13 is in the key, the b9 from the symbol\n6 | Bbm6    # a minor sixth chord: Dorian\n7 | FMaj7   # tonic: the 4th is in the key\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n8 | F7#5    # V7\u002FIV in F: #11 and b13 from the symbol\n\nsection: C\n1 | BbMaj7  # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n2 | BbMaj7\n3 | F       # tonic: the 4th is in the key\n3 | C7      # extended dominant: V7 of F7\n4 | F7      # V7\u002FIV in F: natural tensions\n5 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6 | BbMaj7\n7 | F       # tonic: the 4th is in the key\n7 | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: D\n1 | FMaj7   # tonic: the 4th is in the key\n2 | F7      # I7 in F, not resolving: natural tensions\n2 | F7#5    # V7\u002FIV in F: #11 and b13 from the symbol\n3 | Bb6     # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n4 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Eb9     # back door bVII7 to F: the #11 is in the key\n5 | F       # tonic: the 4th is in the key\n6 | D7      # VI7 in F, not resolving: the b13 is in the key\n6 | Bbm6    # a minor sixth chord: Dorian\n7 | FMaj7   # tonic: the 4th is in the key\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n",1793575886706]