[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dont-explain":3},"title: Don't Explain\ncomposer: Billie Holiday\nstyle: Ballad\nkey: Dm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A1\n# area: D minor (A1 1–6)\n1 | Dm      # tonic minor: Dorian by convention\n2 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9    # V7 of D minor: b9 and b13 are in the key\n3 | Dm      # tonic minor: Dorian by convention\n4 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fi in D minor: b9 and b13 are in the key\n5 | Eb7#11  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6 | Db7#11  # VII7 in D minor, not resolving: the #11 is in the key, the 9 from the symbol\n# area: F major (A1 6–7)\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n# area: D minor (A1 8 – A2 6)\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7 of D minor: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Dm      # tonic minor: Dorian by convention\n# area: F major (B 1–4)\n1 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n2 | FMaj7   # tonic: the 4th is in the key\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n3 | Em7b5   # viiø7 in F: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | Bb7     # tritone substitute: resolves down a half step to A7b9\n# area: D minor (B 4–5)\n4 | A7b9    # V7 of D minor: b9 and b13 are in the key\n5 | Dm      # tonic minor: Dorian by convention\n# area: F major (B 5–8)\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n6 | FMaj7   # tonic: the 4th is in the key\n7 | BbMaj7  # IV: the #4 is the key’s 7th\n7 | Em7b5   # viiø7 in F: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | Bb7     # tritone substitute: resolves down a half step to A7b9\n# area: D minor (B 8 – A3 6)\n8 | A7b9    # V7 of D minor: b9 and b13 are in the key\n\nsection: A3\n1 | Dm      # tonic minor: Dorian by convention\n2 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9    # V7 of D minor: b9 and b13 are in the key\n3 | Dm      # tonic minor: Dorian by convention\n4 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7b9    # V7\u002Fi in D minor: b9 and b13 are in the key\n5 | Eb7#11  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6 | Db7#11  # VII7 in D minor, not resolving: the #11 is in the key, the 9 from the symbol\n# area: F major (A3 6–7)\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n# area: D minor (A3 8)\n8 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7 of D minor: b9 and b13 are in the key\n",1793575886694]