[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dolphin-dance":3},"title: Dolphin Dance\ncomposer: Herbie Hancock\nstyle: Medium Swing\nkey: Eb\nform: ABCD, 34 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Intro\n# area: Eb major (Intro 1 – A 3)\n1  | EbMaj7       # tonic: the 4th is in the key\n2  | DbMaj7\u002FEb    # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n3  | EbMaj7       # tonic: the 4th is in the key\n4  | Dm7b5        # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9         # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: A\n1  | Cm7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | AbMaj7#11    # from the symbol: #11\n3  | Cm7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: G major (A 4–7)\n4  | Am7          # ii of the ii–V to G\n4  | D7           # V7 of G: natural tensions\n5  | GMaj7        # tonic: the 4th is in the key\n6  | Abm7         # a borrowed minor chord: Dorian, its own key\n7  | Fm7          # a borrowed minor chord: Dorian, its own key\n# area: Eb major (A 8–10)\n8  | G7#5         # V7\u002Fvi in Eb: b9 and b13 are in the key, the #11 from the symbol\n9  | Cm7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Cm7\n# area: G major (A 11 – D 7)\n11 | Am7          # ii of the ii–V to G\n12 | D7           # V7 of G: natural tensions\n\nsection: B\n1  | GMaj7        # tonic: the 4th is in the key\n2  | G7sus        # static sus: Mixolydian\n3  | A\u002FG          # a non-tonic major chord: Lydian\n4  | EbMaj7#11\u002FG  # from the symbol: #11\n5  | F7sus        # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | F13b9        # ♭VII7 from the parallel minor: Lydian Dominant; b9 from the symbol\n7  | F7sus        # static sus: Mixolydian\n8  | Em7          # ii of A7: Dorian\n8  | A7           # V7\u002FV in G: natural tensions\n\nsection: C\n1  | Eb7          # ♭VI7 from the parallel minor: Lydian Dominant\n2  | Am7          # ii of D7: Dorian\n2  | D7           # V7\u002FI in G: natural tensions\n3  | Bm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7           # extended ii–V: a side-step, its own key\n4  | Dm7          # a borrowed minor chord: Dorian, its own key\n5  | C#m7         # ii of F#7: Dorian\n6  | F#7          # extended ii–V: a side-step, its own key\n\nsection: D\n1  | DMaj7\u002FE      # a non-tonic major chord: Lydian\n2  | CMaj7\u002FE      # IV: the #4 is the key’s 7th\n3  | DMaj7\u002FE      # a non-tonic major chord: Lydian\n4  | CMaj7\u002FE      # IV: the #4 is the key’s 7th\n5  | DbMaj7\u002FEb    # a non-tonic major chord: Lydian\n6  | Bb13b9\u002FEb    # ♭III7 from the parallel minor: Lydian Dominant; b9 from the symbol\n7  | AbMaj7#5\u002FEb  # from the symbol: #5\n# area: Eb major (D 8)\n8  | G7#5         # V7\u002Fvi in Eb: b9 and b13 are in the key, the #11 from the symbol\n",1793575886594]