[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:do-you-know-what-it-means":3},"title: Do You Know What It Means?\ncomposer: Louis Alter\nstyle: Medium Swing\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–10)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | G7#5    # V7 of C: #11 and b13 from the symbol\n2  | CMaj7   # tonic: the 4th is in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FV in C: natural tensions\n5  | F6      # IV: the #4 is the key’s 7th\n5  | F#dim7  # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n6  | C6\u002FG    # tonic: the 4th is in the key\n6  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n7  | Dm7     # ii: Dorian, the key’s own notes\n7  | Ab7     # tritone substitute: resolves down a half step to G7\n8  | G7      # V7 in C, not resolving: natural tensions\n9  | Dm7     # ii of the ii–V to C\n9  | G7      # V7 of C: natural tensions\n10 | C6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: Ab major (B 1–4)\n1  | Bbm7    # ii of the ii–V to Ab\n1  | Eb7     # V7 of Ab: natural tensions\n2  | Ab6     # tonic: the 4th is in the key\n2  | Adim7   # vii°7 of Bbm7: F7♭9 without its root\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | Ab6     # tonic: the 4th is in the key\n# area: G major (B 5–7)\n5  | Am7     # ii of the ii–V to G\n5  | D7      # V7 of G: natural tensions\n6  | GMaj7   # tonic: the 4th is in the key\n6  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Am7     # ii of D7: Dorian\n7  | D7      # V7\u002FI in G: natural tensions\n# area: C major (B 8 – A2 8)\n8  | Dm7     # ii of the ii–V to C\n8  | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n1  | G7#5    # V7 of C: #11 and b13 from the symbol\n2  | CMaj7   # tonic: the 4th is in the key\n2  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FV in C: natural tensions\n5  | F6      # IV: the #4 is the key’s 7th\n5  | F#dim7  # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n6  | C6\u002FG    # tonic: the 4th is in the key\n6  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n7  | Dm7     # ii of the ii–V to C\n7  | G7      # V7 of C: natural tensions\n8  | C6      # tonic: the 4th is in the key\n",1793575886555]