[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:do-nothin-til-you-hear-from-me":3},"title: Do Nothin' Til You Hear From Me\ncomposer: Duke Ellington\nstyle: Medium Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1–9)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | Ebm7    # ii of Ab7#11: Dorian\n4  | Ab7#11  # back door bVII7 to BbMaj7: the #11 is in the key\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | G7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n6  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | F7      # V7 of Bb: natural tensions\n7  | BbMaj7  # tonic: the 4th is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n9  | Bb6     # tonic: the 4th is in the key\n# area: Gb major (A1 10 – B 5)\n10 | Abm7    # ii of the ii–V to Gb\n10 | Db7     # V7 of Gb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | GbMaj7  # tonic: the 4th is in the key\n2  | GbMaj7\n3  | GbMaj7\n4  | Gb7     # I7 in Gb, not resolving: natural tensions\n5  | BbMaj7  # a non-tonic major chord: Lydian\n# area: Bb major (B 6 – A2 8)\n6  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | Ebm7    # ii of Ab7#11: Dorian\n4  | Ab7#11  # back door bVII7 to BbMaj7: the #11 is in the key\n5  | BbMaj7  # tonic: the 4th is in the key\n5  | G7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n6  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | F7      # V7 of Bb: natural tensions\n7  | Bb6     # tonic: the 4th is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n",1793575886529]