[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:django":3},"title: Django\ncomposer: John Lewis\nstyle: Medium Swing\nkey: Fm\nform: AABC, 32 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: Verse\noutside: yes\n# area: F minor (Verse 1–5)\n1  | Fm        # tonic minor: Dorian by convention\n2  | Bbm       # iv: Dorian, the key’s own notes\n3  | C7b9      # V7 of F minor: b9 and b13 are in the key\n4  | Fm        # tonic minor: Dorian by convention\n5  | F7b9      # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n# area: Ab major (Verse 6–10)\n6  | Bbm       # ii of the ii–V to Ab\n7  | Eb7b9     # V7 of Ab: the b9 from the symbol\n8  | Ab6       # tonic: the 4th is in the key\n9  | DbMaj7    # IV: the #4 is the key’s 7th\n10 | Gm7b5     # viiø7 in Ab: Locrian, the key's own notes (its ♭2 is a passing note)\n# area: F minor (Verse 11 – C 12)\n11 | G7b9\u002FF    # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key\n12 | C7b13\u002FE   # V7 of F minor, the chain's last link: b9 and b13 are in the key\n13 | Fm        # tonic minor: Dorian by convention\n14 | Bbm       # iv: Dorian, the key’s own notes\n15 | C7b9      # V7 of F minor: b9 and b13 are in the key\n16 | Fm        # tonic minor: Dorian by convention\n\nsection: A\n1  | Fm7       # tonic minor: Dorian by convention\n1  | Dm7b5     # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9      # V7 of V7: the dominant of the dominant, on the way to Bb minor: b9 and b13 are in the key\n2  | C7b9      # V7 of F7b9, on the way to Bb minor: b9 and b13 are in the key\n3  | F7b9      # V7 of Bb minor, the chain's last link: b9 and b13 are in the key\n3  | Bbm7      # ii of Eb7: Dorian\n4  | Eb7       # extended dominant: V7 of Ab7\n4  | Ab7       # extended dominant: V7 of Db7\n5  | Db7       # bVI7 in F minor, not resolving: the #11 is in the key\n5  | G7b9      # V7 of V7: the dominant of the dominant: the b9 from the symbol\n6  | C7b9      # V7 in F minor, not resolving: b9 and b13 are in the key\n7  | Db7       # tritone substitute: resolves down a half step to C7b9\n7  | C7b9      # V7 of F minor: b9 and b13 are in the key\n8  | Fm6       # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n@ending 1 5 6\n@ending 2 7 8\n\nsection: B\n1  | F7b9      # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n2  | Bbm6\u002FF    # a minor sixth chord: Dorian\n3  | F7b9      # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n4  | Bbm6\u002FF    # a minor sixth chord: Dorian\n5  | F7b9      # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n6  | Bbm6\u002FF    # a minor sixth chord: Dorian\n7  | F7b9      # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n7  | Bbdim7\u002FF  # passing diminished: C7♭9 without its C, the F7b9's dominant; not functioning diatonically: the symmetric scale\n8  | F7b9      # V7\u002Fiv in F minor: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1  | Bbm7      # iv: Dorian, the key’s own notes\n1  | Gm7b5     # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | C7b9      # V7 of F7b9, on the way to Eb minor: b9 and b13 are in the key\n2  | F7b9      # V7 of Bb7, on the way to Eb minor: b9 and b13 are in the key\n3  | Bb7       # V7 of Eb minor, the chain's last link: b9 and b13 are in the key\n3  | Ebm7      # ii of Ab7: Dorian\n4  | Ab7       # extended dominant: V7 of Db7\n4  | Db7       # extended dominant: V7 of Gb7\n5  | Gb7       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | Gb7\n7  | Db7       # extended dominant: V7 of Gb7\n8  | Db7\n9  | Gb7       # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n10 | Gb7\n11 | Db7       # tritone substitute: resolves down a half step to C7b9\n12 | C7b9      # V7 of F minor: b9 and b13 are in the key\n",1793575886467]