[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:discussao":3},"title: Discussao\ncomposer: Antonio Carlos Jobim\nstyle: Bossa Nova\nkey: C\nform: AA, 32 bars\nrecording: João Gilberto; O Amor, o Sorriso e a Flor; Odeon; 1960\nyoutube: EEEvsn2wQbw\n# analysis: 2026-10-28, rules v2; C\n# recording: Odeon MOFB 3151 (1960), side B track 4, Jobim arranging; rule 2, the version that made it known; first recorded by Sylvia Telles on Amor de Gente Moça (Odeon MOFB-3084, 1959); sources: Discogs; video: Zebralution \"Provided to YouTube\" upload, compilation Tristeza de Nós Dois (Pyramid 3, 2010), 1:50 against the LP's 1:47\n\nsection: A\n1  | CMaj7   # tonic: the 4th is in the key\n2  | Ebdim7  # passing diminished: a rootless dominant ♭9\n3  | Dm7     # ii: Dorian, the key’s own notes\n4  | Ebdim7  # vii°7 of Em7: B7♭9 without its root\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E7      # III7 in C, not resolving: b9 and b13 are in the key\n7  | FMaj7   # IV: the #4 is the key’s 7th\n8  | Fm6     # a minor sixth chord: Dorian\nalt 8  | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n9  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Ebdim7  # passing diminished: B7♭9 without its B, the Em7b5's dominant\n11 | Em7b5   # iiø7 of A7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | A7b13   # extended dominant: V7 of D7; b13 from the symbol\n13 | D7      # II7 in C, not resolving: natural tensions\n14 | D7\n15 | Dm7     # ii of the ii–V to C\n16 | G7b9    # V7 of C: the b9 from the symbol\n17 | G7b9\n18 | C69     # tonic: the 4th is in the key\n18 | G7b9    # V7 of C: the b9 from the symbol\n19 | C69     # tonic: the 4th is in the key\n@ending 1 14 16\n@ending 2 17 19\n",1793484799156]