[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dinorah-dinorah":3},"title: Dinorah, Dinorah\ncomposer: Ivan Lins\nstyle: Brazilian\nkey: Bbm\nform: AAB, 24 bars\nrecording: Ivan Lins; Somos Todos Iguais Nesta Noite; EMI-Odeon; 1977\nyoutube: PJuBIuQeZ2M\n# analysis: 2026-10-28, rules v2; Bb minor\n# recording: EMI-Odeon XEMCB 7023 (1977); the composer's own first recording, rule 1; George Benson's instrumental on Give Me the Night (Warner Bros. 1980) brought it to jazz players; sources: Discogs; video: Universal Music Group \"Provided to YouTube\" upload, Somos Todos Iguais Nesta Noite, ℗ 1977 EMI, 3:13\n\nsection: Intro1\n# area: Bb minor (Intro1 1)\n1 | Bbm7b5  # iiø7 of Eb7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | Eb7b9   # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n# area: Ab minor (Intro1 1 – Coda2 4)\n1 | A9      # tritone substitute: resolves down a half step to Abm11\n2 | Abm11   # tonic minor: Dorian by convention\n2 | Gm11    # a borrowed minor chord: Dorian, its own key\n2 | Gbm11   # ii of B13: Dorian\n2 | B13     # V7\u002FbVI in Ab minor: natural tensions\n3 | Bbm7b5  # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | Eb7b9   # V7 of Ab minor: b9 and b13 are in the key\n4 | Abm11   # ii of Db9: Dorian\n4 | Db9     # V7\u002FbVII in Ab minor: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1 | Bbm7b5  # iiø7 of Eb7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | Eb7b9   # V7\u002Fi in Ab minor: b9 and b13 are in the key\n1 | A9      # tritone substitute: resolves down a half step to Abm11\n2 | Abm11   # tonic minor: Dorian by convention\n2 | Gm11    # a borrowed minor chord: Dorian, its own key\n2 | Gbm11   # ii of B13: Dorian\n2 | B13     # V7\u002FbVI in Ab minor: natural tensions\n3 | Bbm7b5  # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | Eb7b9   # V7 of Ab minor: b9 and b13 are in the key\n4 | Abm11   # ii of Db9: Dorian\n4 | Db9     # V7\u002FbVII in Ab minor: natural tensions\n5 | Bbm7b5  # iiø7 of Eb7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | Eb7b9   # V7\u002Fi in Ab minor: b9 and b13 are in the key\n5 | A9      # tritone substitute: resolves down a half step to Abm11\n6 | Abm11   # tonic minor: Dorian by convention\n6 | Gm11    # a borrowed minor chord: Dorian, its own key\n6 | Gbm11   # ii of B13: Dorian\n6 | B13     # V7\u002FbVI in Ab minor: natural tensions\n7 | Bbm7b5  # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | Eb7b9   # V7 of Ab minor: b9 and b13 are in the key\n8 | Abm11   # ii of Db9: Dorian\n8 | Db9     # V7\u002FbVII in Ab minor: natural tensions\n@segno 1\n@coda 8\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Gb13    # bVII7 in Ab minor, not resolving: natural tensions\n2 | Gb13\n3 | Em11    # ii of A13: Dorian\n4 | A13     # extended ii–V: a side-step, its own key\n5 | Gm9     # ii of C13: Dorian\n6 | C13     # back door bVII7 to DMaj7: b9 and #11 are in the key, the 13 from the symbol\n7 | DMaj7   # a non-tonic major chord: Lydian\n8 | B13     # bIII7 in Ab minor, not resolving: natural tensions\n@nav 8 D.S. al Coda\n\nsection: Coda1\n1 | Bbm7b5  # iiø7 of Eb7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | Eb7b9   # V7\u002Fi in Ab minor: b9 and b13 are in the key\n1 | A9      # tritone substitute: resolves down a half step to Abm11\n2 | Abm11   # tonic minor: Dorian by convention\n2 | Gm11    # a borrowed minor chord: Dorian, its own key\n2 | Gbm11   # ii of B13: Dorian\n2 | B13     # V7\u002FbVI in Ab minor: natural tensions\n3 | Bbm7b5  # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | Eb7b9   # V7 of Ab minor: b9 and b13 are in the key\n4 | Abm11   # ii of Db9: Dorian\n4 | Db9     # V7\u002FbVII in Ab minor: natural tensions\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484799150]