[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dindi":3},"title: Dindi\ncomposer: Antonio Carlos Jobim\nstyle: Slow bossa nova\nkey: Eb\nform: ABC, 32 bars\nrecording: Antonio Carlos Jobim; The Wonderful World of Antonio Carlos Jobim; Warner Bros.; 1965\nyoutube: zvQDKv6KHeI\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1965, Jobim vocal and guitar, Nelson Riddle arranger\u002Fconductor, Jimmy Hilliard producer; Jobim's own first recording of the tune; first recorded by Sylvia Telles on Amor de Gente Moça (Odeon 1959), Jobim's 1980 Terra Brasilis remake is a different recording; sources Wikipedia (Dindi, The Wonderful World of Antonio Carlos Jobim), MusicBrainz track list (Dindi 2:35); video: Universal Music Group Topic upload of the Brazilian issue \"Antonio Carlos Jobim Com Nelson Riddle E Sua Orquestra\" ℗ 1965, 2:37, the same take\n\n# bar | chord\n# the intro is played freely\n\nsection: Intro\n1  | EbMaj7   # tonic: the 4th is in the key\n2  | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n3  | EbMaj7   # tonic: the 4th is in the key\n4  | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n5  | CMaj7    # a non-tonic major chord: Lydian\n6  | Am9      # a borrowed minor chord: Dorian, its own key\n7  | Dm9      # ii of G13: Dorian\n8  | G13      # extended ii–V: a side-step, its own key\n9  | EbMaj7   # tonic: the 4th is in the key\n10 | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n11 | EbMaj7   # tonic: the 4th is in the key\n12 | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n13 | CMaj7    # a non-tonic major chord: Lydian\n14 | Am9      # a borrowed minor chord: Dorian, its own key\n15 | Dm9      # ii of G13: Dorian\n16 | G13      # extended ii–V: a side-step, its own key\n\nsection: A\n@segno 1\n1  | EbMaj7   # tonic: the 4th is in the key\n2  | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n3  | EbMaj7   # tonic: the 4th is in the key\n4  | Bbm7     # ii of the ii–V to Ab\n4  | Eb7b9    # V7\u002FIV in Eb: the b9 from the symbol\n5  | AbMaj7   # the Eb7b9 before it makes Ab the key of the moment: the 4th is in the key\n6  | AbmMaj7  # from the symbol: minor-major 7th\n# alt (optional): bar 6 (Db13#11), per the book's footnote\n7  | Eb6      # tonic: the 4th is in the key\n8  | Bbm7     # a borrowed minor chord: Dorian, its own key\n9  | EbMaj7   # tonic: the 4th is in the key\n10 | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n11 | EbMaj7   # tonic: the 4th is in the key\n12 | Bbm7     # ii of the ii–V to Ab\n12 | Eb7b9    # V7\u002FIV in Eb: the b9 from the symbol\n13 | AbMaj7   # the Eb7b9 before it makes Ab the key of the moment: the 4th is in the key\n14 | AbmMaj7  # from the symbol: minor-major 7th\n# alt (optional): bar 14 (Db13#11), per the book's footnote\n15 | Eb6      # tonic: the 4th is in the key\n16 | Am7b5    # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | D7       # V7\u002Fiii in Eb: b9 and b13 are in the key\n\nsection: B\n1  | Gm       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Ebm6     # a minor sixth chord: Dorian\n3  | Gm       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Ebm6     # a minor sixth chord: Dorian\n4  | Gm       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7b9     # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5  | Fm       # ii: Dorian, the key’s own notes\n6  | C#m6     # a minor sixth chord: Dorian\n7  | Fm       # ii: Dorian, the key’s own notes\n7  | C#m6     # a minor sixth chord: Dorian\n8  | Fm7      # ii of the ii–V to Eb\n8  | Bb7b9    # V7 of Eb: the b9 from the symbol\n\nsection: C\nbars: 8\n1  | EbMaj7   # tonic: the 4th is in the key\n2  | DbMaj7   # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n3  | EbMaj7   # tonic: the 4th is in the key\n4  | Bbm7     # ii of the ii–V to Ab\n4  | Eb7b9    # V7\u002FIV in Eb: the b9 from the symbol\n5  | AbMaj7   # the Eb7b9 before it makes Ab the key of the moment: the 4th is in the key\n6  | AbmMaj7  # from the symbol: minor-major 7th\n# alt (optional): bar 6 (Db13#11), per the book's footnote\n7  | Eb6      # tonic: the 4th is in the key\n# alt (optional): bar 8 (Db13)\n# repeat from A (segno at A 1)\n",1793484799143]