[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:desde-que-o-samba-e-samba":3},"title: Desde Que o Samba É Samba\ncomposer: Caetano Veloso\nstyle: Samba\nkey: G\nform: AABB, 48 bars\nrecording: Caetano Veloso and Gilberto Gil; Tropicália 2; Philips; 1993\nyoutube: KnZi32peh20\n# analysis: 2026-10-28, rules v2; G\n# recording: Philips\u002FPolyGram 518 178 (1993); the composer's own first recording, rule 1; sources: Discogs, Wikipedia (Tropicália 2); video: Nonesuch\u002FElektra \"Provided to YouTube\" upload of the US issue (1994), Tropicália 2, 5:12\n\nsection: A\n1  | G6      # tonic: the 4th is in the key\n2  | D7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | GMaj7   # tonic: the 4th is in the key\n4  | G7      # V7\u002FIV in G: natural tensions\n5  | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | Cm6     # a minor sixth chord: Dorian\n7  | B13     # V7 of E9, on the way to A minor: the b9 is in the key, the 13 from the symbol\n8  | E9      # V7 of A minor, the chain's last link: the b13 is in the key, the 9 from the symbol\n9  | Am7     # ii of D7: Dorian\n10 | D7      # V7\u002FI in G: natural tensions\n10 | D#dim7  # vii°7 of Em7: B7♭9 without its root\n11 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Em7\u002FD   # ii of A7: Dorian\n13 | A7      # V7\u002FV in G: natural tensions\n14 | A7\n15 | Am7     # ii of D7sus: Dorian\n16 | D7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | D7      # V7 in G, not resolving: natural tensions\n17 | Em7     # ii of A7: Dorian\n18 | A7      # V7\u002FV in G: natural tensions\n19 | Am7     # ii of D7sus: Dorian\n20 | D7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n20 | D7      # V7 of G: natural tensions\n21 | GMaj7   # tonic: the 4th is in the key\n22 | GMaj7\n@coda 10\n@ending 1 11 16\n@ending 2 17 22\n\nsection: B\n1  | Am7     # ii: Dorian, the key’s own notes\n2  | B7b13   # V7\u002Fvi in G: b9 and b13 are in the key\n3  | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | C#m7b5  # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | F#7b9   # V7\u002Fiii in G: b9 and b13 are in the key\n5  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | E7      # extended ii–V: a side-step, its own key\n7  | Em7     # ii of A7: Dorian\n8  | A7      # V7\u002FV in G: natural tensions\n9  | A13     # II7 in G, not resolving: natural tensions\n9  | A7b13   # V7 of V7: the dominant of the dominant: the b13 from the symbol\n10 | D9      # static dominant: its own mode\n10 | D7b9    # V7 of G: the b9 from the symbol\n@nav 10 D.C. al Coda\n@ending 1 7 8\n@ending 2 9 10\n\nsection: Coda\n1  | Em7     # ii of A7: Dorian\n2  | A7      # V7\u002FV in G: natural tensions\n3  | Am7     # ii of the ii–V to G\n4  | D7      # V7 of G: natural tensions\n5  | G69     # tonic: the 4th is in the key\n6  | G69\n@coda 1\n",1793484799131]