[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:desafinado":3},"title: Desafinado\naka: Slightly Out of Tune\ncomposer: Antonio Carlos Jobim\nstyle: Bossa nova\nkey: F\nform: AABC, 68 bars\nrecording: João Gilberto; Chega de Saudade; Odeon; 1959\nyoutube: cPavMxC5Uic\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1958-11-10, arranged by Jobim, first issued on the Odeon 78 14.426 (with \"Hô-Ba-La-Lá\"), first LP Odeon MOFB 3073 (1959); the first recording, with Jobim as arranger, weighed over his own instrumental on The Composer of Desafinado, Plays (Verve 1963) as the definitive reading of the song; Getz\u002FByrd's Jazz Samba (Verve 1962) was the US hit; sources Wikipedia (Desafinado, Chega de Saudade album), MusicBrainz; video: Topic upload, \"Chega de Saudade\" ℗ 1959 Odeon MOFB 3073, 1:59 against the LP's 1:58, the same take\n\n# bar | chord\n\nsection: A\n# area: F major (A 1–11)\n1  | FMaj7   # tonic: the 4th is in the key\n3  | G7b5    # II7 in F, not resolving: the #11 from the symbol\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n9  | Gm7     # ii: Dorian, the key’s own notes\n10 | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n11 | D7      # VI7 in F, not resolving: the b13 is in the key\n# area: Gb major (A 12–16)\n12 | D7b9    # extended dominant: V7 of G7b9; b9 from the symbol\n13 | G7b9    # tritone substitute: resolves down a half step to GbMaj7; b9 from the symbol\n15 | GbMaj7  # tonic: the 4th is in the key\n16 | GbMaj7\n# alt: bar 16 (C7b9) on beat 3\n# bar 16: GbMaj7 held (row for the 1st ending's last bar)\n# area: F major (A 17–19)\n17 | Gm7     # ii: Dorian, the key’s own notes\n18 | Bbm6    # a minor sixth chord: Dorian\n19 | FMaj7   # tonic: the 4th is in the key\n# area: A major (A 20 – B 8)\n20 | E7#9    # V7 of A: b9, #9 and #11 from the symbol\n21 | AMaj7   # tonic: the 4th is in the key\n22 | Bbdim7  # vii°7 of Bm7: F#7♭9 without its root\n23 | Bm7     # ii of the ii–V to A\n24 | E7      # V7 of A: natural tensions\n@ending 1 9 16\n@ending 2 17 24\n@key 17 F\n@key 20 A\n\nsection: B\nkey: A\n@key 9 F\n1  | AMaj7   # tonic: the 4th is in the key\n2  | Bbdim7  # vii°7 of Bm7: F#7♭9 without its root\n3  | Bm7     # ii of the ii–V to A\n4  | E7      # V7 of A: natural tensions\n5  | AMaj7   # tonic: the 4th is in the key\n6  | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Bm7     # ii of E7: Dorian\n8  | E7      # V7\u002FI in A: natural tensions\n# area: F major (B 9 – C 19)\n9  | CMaj7   # a non-tonic major chord: Lydian\n10 | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n11 | Dm7     # ii of G7: Dorian\n12 | G7      # V7\u002FV in F: natural tensions\n13 | Gm7     # ii: Dorian, the key’s own notes\n14 | Ebm6    # a minor sixth chord: Dorian\n15 | G7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | C7b9    # V7 of F: the b9 from the symbol\n\nsection: C\nkey: F\nbars: 20\n1  | FMaj7   # tonic: the 4th is in the key\n3  | G7b5    # II7 in F, not resolving: the #11 from the symbol\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FI in F: natural tensions\n7  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | D7      # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii: Dorian, the key’s own notes\n10 | Bbm6    # a minor sixth chord: Dorian\n11 | FMaj7   # tonic: the 4th is in the key\n12 | Dm7     # ii of G7: Dorian\n# alt: bar 12 (G7)\n13 | G7      # V7\u002FV in F: natural tensions\n# alt: bar 13 (Gm7)\n15 | Eb9     # ♭VII7 from the parallel minor: Lydian Dominant\n17 | G7      # II7 in F, not resolving: natural tensions\n18 | Gm7     # ii of the ii–V to F\n18 | C7      # V7 of F: natural tensions\n19 | F6      # tonic: the 4th is in the key\n# alt: bar 20 (C7)\n",1793484799124]