[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:deep-purple":3},"title: Deep Purple\ncomposer: Peter DeRose\nstyle: Medium Swing\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n7  | Em7     # a borrowed minor chord: Dorian, its own key\n8  | Fdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n8  | D7\u002FF#   # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii: Dorian, the key’s own notes\n10 | Bbm6    # a minor sixth chord: Dorian\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n13 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n15 | D7      # V7\u002Fii in F: the b13 is in the key\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n2  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Am7b5   # iiø7 of D7: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | D7      # V7\u002Fii in F: the b13 is in the key\n7  | Em7     # a borrowed minor chord: Dorian, its own key\n8  | Fdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n8  | D7\u002FF#   # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii: Dorian, the key’s own notes\n10 | Bbm6    # a minor sixth chord: Dorian\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n13 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | F6      # tonic: the 4th is in the key\n15 | D7      # V7\u002Fii in F: the b13 is in the key\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n",1793575886209]