[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dedicated-to-you":3},"title: Dedicated To You\ncomposer: Cahn, Charles Chaplin, Zaret\nstyle: Ballad\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1–10)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\nalt 2  | Em7     # ii of A7: Dorian\nalt 2  | A7      # extended ii–V: a side-step, its own key\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | G7      # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | F7b9    # V7 of Bb: the b9 from the symbol\nalt 5  | Ebm7    # ii of Ab7: Dorian\nalt 5  | Ab7     # back door bVII7 to BbMaj7: the #11 is in the key\n6  | BbMaj7  # tonic: the 4th is in the key\n6  | Am7     # ii of the ii–V to G minor\n6  | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FV in Bb: natural tensions\n8  | Cm7     # ii of F7#5: Dorian\n8  | F7#5    # V7\u002FI in Bb: #11 and b13 from the symbol\nalt 8  | Cm7     # ii: Dorian, the key’s own notes\nalt 8  | F#m7    # ii of B7: Dorian\nalt 8  | B7      # extended ii–V: a side-step, its own key\n9  | Gm7     # ii of C7: Dorian\n9  | C7      # V7\u002FV in Bb: natural tensions\n9  | Cm7     # ii of the ii–V to Bb\n9  | F7      # V7 of Bb: natural tensions\n10 | Bb6     # tonic: the 4th is in the key\n# area: D major (A1 10 – B 4)\n10 | Em7     # ii of the ii–V to D\n10 | A7      # V7 of D: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | DMaj7   # tonic: the 4th is in the key\n2  | Bm7     # ii of E7b9: Dorian\n2  | E7b9    # V7\u002FV in D: the b9 from the symbol\n3  | Em7     # ii of the ii–V to D\n3  | A7      # V7 of D: natural tensions\n4  | DMaj7   # tonic: the 4th is in the key\n# area: F major (B 4–6)\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n5  | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n6  | Gm7     # ii of C7b9: Dorian\n6  | C7b9    # V7\u002FI in F: the b9 from the symbol\n# area: Bb major (B 7 – A2 8)\n7  | Cm7     # ii of the ii–V to Bb\n8  | F7#5    # V7 of Bb: #11 and b13 from the symbol\nalt 8  | F#m7    # ii of B7: Dorian\nalt 8  | B7      # tritone substitute: resolves down a half step to BbMaj7\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Eb7     # IV7 in Bb, not resolving: the #11 is in the key\nalt 2  | Em7     # ii of A7: Dorian\nalt 2  | A7      # extended ii–V: a side-step, its own key\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | G7      # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | F7b9    # V7 of Bb: the b9 from the symbol\nalt 5  | Ebm7    # ii of Ab7: Dorian\nalt 5  | Ab7     # back door bVII7 to BbMaj7: the #11 is in the key\n6  | BbMaj7  # tonic: the 4th is in the key\n6  | Am7     # ii of the ii–V to G minor\n6  | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FV in Bb: natural tensions\n7  | Cm7     # ii of the ii–V to Bb\n7  | F7      # V7 of Bb: natural tensions\n8  | Bb6     # tonic: the 4th is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n",1793575886187]