[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dearly-beloved":3},"title: Dearly Beloved\nsubtitle: Latin and swing\ncomposer: Jerome Kern\nstyle: Mixed\nkey: C\nform: ABCD, 32 bars\nrecording: Sonny Rollins; The Sound of Sonny; Riverside; 1957\nyoutube: DhIaD0DDodg\n# analysis: 2026-10-19, rules v2; C\n# recording: recorded June 1957 (sessions 11, 12, 19), Reeves Sound Studios, NYC; Rollins, Sonny Clark, Percy Heath, Roy Haynes; his first Riverside LP, released November 1957; songbook standard → the best-known jazz reading; Rollins re-recorded it on Our Man in Jazz (RCA Victor 1963); sources: Wikipedia; video: \"Provided to YouTube by Universal Music Group\", The Sound of Sonny (Fantasy ℗ 1957), 3:02 vs 3:05 listed, the same take\n\n# bar | chord | scale\n\nsection: A\nbars: 8\n1 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n3 | G9      # V7 in C, not resolving: natural tensions\n5 | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7 | G9      # V7 of C: natural tensions\n\nsection: B\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F7      # tritone substitute: resolves down a half step to Em7\n2 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7      # V7\u002Fii in C: the b13 is in the key\n3 | Dm7     # ii of G7: Dorian\n4 | G7      # V7\u002FI in C: natural tensions\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Ebm7    # ii of Ab7: Dorian\n8 | Ab7     # tritone substitute: resolves down a half step to Dm7\u002FG\n\nsection: C\ncopy: A\n\nsection: D\n1 | CMaj7   # tonic: the 4th is in the key\n1 | F7      # tritone substitute: resolves down a half step to Em7\n2 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | A7      # extended dominant: V7 of D7\n3 | D7      # II7 in C, not resolving: natural tensions\n4 | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n5 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n8 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | A7#9    # extended ii–V: a side-step, its own key; b9, #9 and #11 from the symbol\n",1793484799110]