[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:de-ton-pra-tom":3},"title: De Ton pra Tom\ncomposer: Toninho Horta\nstyle: Bossa Nova\nkey: A\nform: AB, 34 bars\nrecording: Toninho Horta; From Ton to Tom; Videoarts Music; 1998\n# analysis: 2026-10-28, rules v2; A\n# recording: recorded April to July 1998, Avatar Studios, New York, as \"From Ton to Tom (Silent Song)\", released in Japan 1998-12-14 (AllMusic), Spain 1999, reissued as To Jobim with Love (Resonance 2008); written after Jobim's death in 1994; the composer's own first recording, rule 1; sources: Discogs, AllMusic, Wikipedia; no official upload of the album take\n\nsection: A\n# area: A major (A 1–8)\n1  | AMaj7        # tonic: the 4th is in the key\n1  | G#m11        # a borrowed minor chord: Dorian, its own key\n2  | Bb\u002FDb        # ♭II, borrowed from A Phrygian: Lydian (its ♯11 is in the key)\n3  | F#m9         # ii of Bsus: Dorian\n4  | Bsus         # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | B9           # extended dominant: V7 of Esus\n5  | Esus         # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5  | E13          # extended dominant: V7 of Asus\n6  | Asus         # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | A13          # I7 in A, not resolving: natural tensions\n7  | Am9          # a borrowed minor chord: Dorian, its own key\n7  | GMaj7        # ♭VIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n8  | F#13b9       # VI7 in A, not resolving: b9 and 13 from the symbol\n# area: B major (A 8–16)\n8  | F#7b13       # V7 of B: the b13 from the symbol\n9  | BMaj7        # tonic: the 4th is in the key\n9  | A#m11        # a borrowed minor chord: Dorian, its own key\n10 | C\u002FEb         # ♭II, borrowed from B Phrygian: Lydian (its ♯11 is in the key)\n11 | G#mMaj7      # from the symbol: minor-major 7th\n11 | G#m9         # ii of C#sus: Dorian\n12 | C#sus        # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | C#9          # extended dominant: V7 of F#sus\n13 | F#sus        # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n13 | F#13         # extended dominant: V7 of Bsus\n14 | Bsus         # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | B13          # I7 in B, not resolving: natural tensions\n15 | Bm9          # a borrowed minor chord: Dorian, its own key\n15 | AMaj7        # ♭VIImaj7, borrowed from B minor: Lydian (its ♯11 is in the key)\n16 | G#13b9       # VI7 in B, not resolving: b9 and 13 from the symbol\n# area: Db major (A 16 – B 8)\n16 | G#7b13       # V7 of Db: the b13 from the symbol\n17 | DbMaj7       # tonic: the 4th is in the key\n17 | Cm7b5        # iiø7 of F13b9: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | F13b9        # V7\u002Fvi in Db: the b9 is in the key, the 13 from the symbol\n18 | F7b13        # extended dominant: V7 of Bb7sus; b13 from the symbol\n19 | Bb7sus       # V7sus4 of Eb7sus: the b13 is in the key\n19 | Eb7sus       # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n20 | Ab7sus       # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n20 | Db7b9        # V7\u002FIV in Db: the b9 from the symbol\n21 | GbMaj7       # the Db7b9 before it makes Gb the key of the moment: the 4th is in the key\n21 | Fm11         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n22 | Bb13b9       # extended ii–V: a side-step, its own key; b9 from the symbol\n23 | GMaj7#11\u002FB   # from the symbol: #11\n24 | GMaj7#11\u002FC#  # from the symbol: #11\n25 | Dsus         # static sus: Mixolydian\n26 | F#7b13       # IV7 in Db, not resolving: the #11 is in the key, the b13 from the symbol\n\nsection: B\n1  | GMaj7        # a non-tonic major chord: Lydian\n1  | Em9          # a borrowed minor chord: Dorian, its own key\n2  | Am9          # a borrowed minor chord: Dorian, its own key\n2  | Cm           # a borrowed minor chord: Dorian, its own key\n2  | Dm           # a borrowed minor chord: Dorian, its own key\n3  | Bm9          # a borrowed minor chord: Dorian, its own key\n4  | Em9          # a borrowed minor chord: Dorian, its own key\n5  | GMaj7        # a non-tonic major chord: Lydian\n5  | Em9          # a borrowed minor chord: Dorian, its own key\n6  | Am9          # a borrowed minor chord: Dorian, its own key\n6  | Cm           # a borrowed minor chord: Dorian, its own key\n6  | Dm           # a borrowed minor chord: Dorian, its own key\n7  | Bm9          # a borrowed minor chord: Dorian, its own key\n8  | Em9          # a borrowed minor chord: Dorian, its own key\n",1793484799058]