[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:days-of-wine-and-roses":3},"title: Days of Wine and Roses\ncomposer: Henry Mancini\nstyle: Medium\nkey: F\nform: AB, 32 bars\nrecording: Wes Montgomery; Boss Guitar; Riverside; 1963\nyoutube: lTsao5gjbZo\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1963-04-22, Plaza Sound Studios, New York, with Mel Rhyne and Jimmy Cobb, RM 459, released 1963; film song (1962) → the most-studied instrumental jazz reading; sources: jazzdisco, Wikipedia; video: Wes Montgomery's official channel, \"Official Audio\" from Boss Guitar, the same take\n\n# bar | chord | scale\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm      # ii: Dorian, the key’s own notes\n7  | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Gm      # ii: Dorian, the key’s own notes\n12 | Gm\n12 | Gm\u002FF    # ii: Dorian, the key’s own notes\n13 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | A7#9    # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n14 | Dm7     # ii of G7: Dorian\n14 | G7      # extended dominant: V7 of Gm7\u002FC\n15 | Gm7\u002FC   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | C7b9    # V7 of F: the b9 from the symbol\n\nsection: B\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm      # ii: Dorian, the key’s own notes\n7  | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n9  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Dm\u002FC    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | E7#9    # V7\u002Fiii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n15 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n16 | Gm7     # ii of the ii–V to F\n16 | C7b9    # V7 of F: the b9 from the symbol\n",1793484799052]