[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:day-in-day-out":3},"title: Day In, Day Out\ncomposer: Rube Bloom\nstyle: Medium Swing\nkey: C\nform: AAB, 50 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–19)\n1  | C6      # tonic: the 4th is in the key\n2  | C6\n3  | Dm7     # ii of the ii–V to C\n4  | G7      # V7 of C: natural tensions\n5  | C6      # tonic: the 4th is in the key\n5  | Dm7     # ii: Dorian, the key’s own notes\n6  | D#dim7  # vii°7 to C6\u002FE, up to its bass: B7♭9 without its root\n6  | C6\u002FE    # tonic: the 4th is in the key\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm6 its ii)\n9  | Dm6     # a minor sixth chord: Dorian\n10 | G7      # V7\u002FI in C: natural tensions\n11 | Dm7     # ii of G7: Dorian\n12 | G7      # V7\u002FI in C: natural tensions\n13 | Dm7     # ii of G7: Dorian\n14 | G7      # V7\u002FI in C: natural tensions\n15 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n16 | Dm7     # ii of the ii–V to C minor\n16 | G7      # V7 of C: natural tensions\n17 | Cm7     # ii of F7: Dorian\n18 | F7      # back door bVII7 to GMaj7: the #11 is in the key\n19 | GMaj7   # a non-tonic major chord: Lydian\n# area: G major (A 20 – B 2)\n20 | Ab7     # tritone substitute: resolves down a half step to GMaj7\n21 | GMaj7   # tonic: the 4th is in the key\n22 | Ab7     # tritone substitute: resolves down a half step to GMaj7\n23 | GMaj7   # tonic: the 4th is in the key\n24 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n24 | Ebm7    # a borrowed minor chord: Dorian, its own key\n25 | Dm7     # ii of G7: Dorian\n26 | G7      # V7\u002FIV in G: natural tensions\n27 | Bb7     # tritone substitute: resolves down a half step to A7\n28 | A7      # V7 of V7: the dominant of the dominant: natural tensions\n@nav 25 D.C. al 3rd end.\n@ending 1 7 16\n@ending 2 17 26\n\nsection: B\n1  | D7\u002FF#   # V7 in G, not resolving: natural tensions\n2  | Fm6     # a minor sixth chord: Dorian\n# area: C major (B 3–16)\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n5  | D7      # V7 of V7: the dominant of the dominant: natural tensions\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n7  | F7      # tritone substitute: resolves down a half step to Em7\n8  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | A7      # extended dominant: V7 of D7\u002FF#\n9  | D7\u002FF#   # II7 in C, not resolving: natural tensions\n10 | Fm6     # a minor sixth chord: Dorian\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n13 | Dm7     # ii of the ii–V to C\n14 | G7      # V7 of C: natural tensions\n15 | C6      # tonic: the 4th is in the key\n15 | A7#5    # V7\u002Fii in C: the b13 is in the key, the #11 from the symbol\n16 | Dm7     # ii of the ii–V to C\n16 | G7#5    # V7 of C: #11 and b13 from the symbol\n",1793575886049]