[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:darn-that-dream":3},"title: Darn That Dream\ncomposer: Jimmy Van Heusen\nstyle: Ballad\nkey: G\nform: AABC\nrecording: Bill Evans & Jim Hall; Undercurrent; United Artists; 1962\nyoutube: 0mBpd5X-slQ\n# analysis: 2026-10-19, rules v2; G\n# recording: recorded 1962-05-14, NYC, Evans piano, Hall guitar duo; chart follows no specific version, so the canonical jazz reading; Birth of the Cool (Kenny Hagood vocal, 1950 78) is the older jazz alternative but a vocal side; released August 1962, later Solid State\u002FBlue Note reissues; sources: Wikipedia (Undercurrent, Darn That Dream); video: \"Provided to YouTube by Universal Music Group\" Undercurrent track, the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: G major (A1 1 – A2 7)\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Bbm7    # ii of Eb7: Dorian\n1 | Eb7     # extended ii–V: a side-step, its own key\n2 | Am7     # ii: Dorian, the key’s own notes\n2 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n3 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em\u002FD#   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | D7      # V7 in G, not resolving: natural tensions\n3 | D7\u002FC    # V7 in G, not resolving: natural tensions\n4 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7      # V7\u002Fii in G: the b13 is in the key\n5 | Am7     # ii: Dorian, the key’s own notes\n5 | F9      # ♭VII7 from the parallel minor: Lydian Dominant\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bbm7    # a borrowed minor chord: Dorian, its own key\n7 | Am7     # ii of D7: Dorian\n7 | D7      # V7\u002FI in G: natural tensions\n8 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Bb7     # tritone substitute: resolves down a half step to Am7\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: A2\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Bbm7    # ii of Eb7: Dorian\n1 | Eb7     # extended ii–V: a side-step, its own key\n2 | Am7     # ii: Dorian, the key’s own notes\n2 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n3 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em\u002FD#   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | D7      # V7 in G, not resolving: natural tensions\n3 | D7\u002FC    # V7 in G, not resolving: natural tensions\n4 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7      # V7\u002Fii in G: the b13 is in the key\n5 | Am7     # ii: Dorian, the key’s own notes\n5 | F9      # ♭VII7 from the parallel minor: Lydian Dominant\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bbm7    # a borrowed minor chord: Dorian, its own key\n7 | Am7     # ii of D13: Dorian\n7 | D13     # V7\u002FI in G: natural tensions\n# area: Eb major (A2 8 – B 6)\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7     # ii of Bb7: Dorian\n2 | Bb7     # V7\u002FI in Eb: natural tensions\n3 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | F#m7    # ii of B7: Dorian\n3 | B7      # extended ii–V: a side-step, its own key\n4 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n5 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n6 | Gm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: G major (B 7 – C 8)\n7 | Am7     # ii of D7: Dorian\n7 | D7      # V7\u002FI in G: natural tensions\n8 | Bbm7    # ii of Eb7: Dorian\n8 | Eb7     # extended ii–V: a side-step, its own key\n8 | Am9     # ii of the ii–V to G\n8 | D13     # V7 of G: natural tensions\n\nsection: C\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Bbm7    # ii of Eb7: Dorian\n1 | Eb7     # extended ii–V: a side-step, its own key\n2 | Am7     # ii: Dorian, the key’s own notes\n2 | B7      # V7\u002Fvi in G: b9 and b13 are in the key\n3 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Em\u002FD#   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | D7      # V7 in G, not resolving: natural tensions\n3 | D7\u002FC    # V7 in G, not resolving: natural tensions\n4 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7      # V7\u002Fii in G: the b13 is in the key\n5 | Am7     # ii: Dorian, the key’s own notes\n5 | F9      # ♭VII7 from the parallel minor: Lydian Dominant\n6 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bbm7    # a borrowed minor chord: Dorian, its own key\n7 | Am7     # ii of the ii–V to G\n7 | D13     # V7 of G: natural tensions\n8 | GMaj7   # tonic: the 4th is in the key\n",1793484799045]