[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:dancing-on-the-ceiling":3},"title: Dancing On The Ceiling\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7    # tonic: the 4th is in the key\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7       # V7\u002FIV in F: natural tensions\n3  | Bb6      # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | Bdim7    # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n4  | FMaj7\u002FC  # tonic: the 4th is in the key\n4  | D7       # V7\u002Fii in F: the b13 is in the key\n5  | Gm7      # ii of C7: Dorian\n5  | C7       # V7\u002FI in F: natural tensions\n6  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | D7       # V7\u002Fii in F: the b13 is in the key\n7  | Gm7      # ii of the ii–V to F\n7  | C7       # V7 of F: natural tensions\n8  | F6       # tonic: the 4th is in the key\n8  | C7       # V7 of the F6 before it: natural tensions\n9  | Gm7      # ii of the ii–V to F\n9  | C7       # V7 of F: natural tensions\n10 | F6       # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Bb6      # IV: the #4 is the key’s 7th\n2  | Eb7      # back door bVII7 to FMaj7: the #11 is in the key\n3  | FMaj7    # tonic: the 4th is in the key\n4  | Cm7      # ii of the ii–V to Bb\n4  | F7       # V7\u002FIV in F: natural tensions\n5  | Bb6      # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6  | Eb7      # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7       # V7\u002Fii in F: the b13 is in the key\n8  | Gm7      # ii: Dorian, the key’s own notes\n8  | F7       # I7 in F, not resolving: natural tensions\n\nsection: A2\n1  | FMaj7    # tonic: the 4th is in the key\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7       # V7\u002FIV in F: natural tensions\n3  | Bb6      # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | Bdim7    # ♯IV°7 to I over its 5th: E7♭9 without its root, the ♯II°7's notes\n4  | FMaj7\u002FC  # tonic: the 4th is in the key\n4  | D7       # V7\u002Fii in F: the b13 is in the key\n5  | Gm7      # ii of the ii–V to F\n6  | C7       # V7 of F: natural tensions\n7  | F6       # tonic: the 4th is in the key\n8  | Gm7      # ii of the ii–V to F\n8  | C7       # V7 of F: natural tensions\n",1793575885948]