[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:daahoud":3},"title: Daahoud\ncomposer: Clifford Brown\nstyle: Up Tempo Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1)\n1 | Ebm7    # ii of the ii–V to Db minor\n1 | Ab7     # V7\u002Fbvii in Eb: the #11 is in the key; the repeat at A2 bar 1 would be Ab Phrygian Dominant\n# area: B major (A1 2–6)\n2 | Dbm7    # ii of the ii–V to B\n2 | Gb7     # V7 of B: natural tensions\n3 | BMaj7   # tonic: the 4th is in the key\n4 | Fm7     # ii of the ii–V to Eb minor\n4 | Bb7     # V7\u002Fiii in B: b9 and b13 are in the key\n5 | Ebm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5 | Abm7    # iv7 from the parallel minor: Dorian, its notes\nalt 5 | Gb6     # ♭III6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n6 | B7      # tritone substitute: resolves down a half step to Bb7\n# area: Eb major (A1 6 – A2 1)\n6 | Bb7     # V7 of Eb: natural tensions\nalt 6 | F7      # tritone substitute: resolves down a half step to EMaj7\nalt 6 | EMaj7   # tonic: the 4th is in the key\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | EbMaj7\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7\u002FIV in Eb: natural tensions\n3 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | AbMaj7\n# area: Gb major (B 5 – A3 6)\n5 | Abm7    # ii of the ii–V to Gb\n6 | Db7     # V7 of Gb: natural tensions\n7 | GbMaj7  # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb minor\n8 | Bb7     # V7\u002Fvi in Gb: b9 and b13 are in the key\n\nsection: A3\n1 | Ebm7    # ii of the ii–V to Db minor\n1 | Ab7     # V7\u002Fv in Gb: natural tensions\n2 | Dbm7    # ii of the ii–V to B\n2 | Gb7     # V7\u002FIV in Gb: natural tensions\n3 | BMaj7   # the Gb7 before it makes B the key of the moment: the 4th is in the key\n4 | Fm7     # ii of the ii–V to Eb minor\n4 | Bb7     # V7\u002Fvi in Gb: b9 and b13 are in the key\n5 | Ebm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 5 | Abm7    # iv7 from the parallel minor: Dorian, its notes\nalt 5 | Gb6     # ♭III6, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n6 | B7      # tritone substitute: resolves down a half step to Bb7\n# area: Eb major (A3 6 – Coda 4)\n6 | Bb7     # V7 of Eb: natural tensions\nalt 6 | F7      # tritone substitute: resolves down a half step to EMaj7\nalt 6 | EMaj7   # tonic: the 4th is in the key\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | EbMaj7\nalt 8 | Abm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 8 | EbMaj7  # a non-tonic major chord: Lydian\nalt 8 | Db7     # VI7 in E, not resolving: the b13 is in the key\n@coda 8\n\nsection: Coda\n1 | GbMaj7  # ♭IIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n2 | Ebm7    # ii of Ab7: Dorian\n2 | Ab7     # extended ii–V: a side-step, its own key\n3 | Cm7b5   # viø7 in Eb: Locrian, its own mode (the chord is outside the key)\n3 | B7      # tritone substitute: resolves down a half step to Bb7\n4 | Bb7     # V7 in Eb, not resolving: natural tensions\n@coda 1\n",1793575885901]