[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cynthias-in-love":3},"title: Cynthia's In Love\ncomposer: Owens, White, Gish\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Fm7     # ii of Bb13: Dorian\n2  | Bb13    # V7\u002FI in Eb: natural tensions\n2  | Bb7b9   # V7 of Eb: the b9 from the symbol\n3  | Eb6     # tonic: the 4th is in the key\n3  | Abm6    # a minor sixth chord: Dorian\n4  | Gm9     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7sus's dominant (Fm7 its ii)\n5  | Fm7     # ii of Bb7sus: Dorian\n6  | Bb7sus  # static sus: Mixolydian\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n9  | Bbm7    # a borrowed minor chord: Dorian, its own key\n10 | A9#11   # tritone substitute: resolves down a half step to AbMaj7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the A9#11 before it makes Ab the key of the moment: the 4th is in the key\n2  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C13     # V7\u002Fii in Eb: the 13 from the symbol\n5  | Fm7     # ii: Dorian, the key’s own notes\n6  | F#m7    # ii of B13: Dorian\n6  | B13     # extended ii–V: a side-step, its own key\n7  | Fm7     # ii of Bb13: Dorian\n7  | Bb13    # V7\u002FI in Eb: natural tensions\n8  | Db9     # tritone substitute: resolves down a half step to C9\n8  | C9      # V7\u002Fii in Eb: the b13 is in the key\n\nsection: A2\n1  | Fm7     # ii of Bb13: Dorian\n2  | Bb13    # V7\u002FI in Eb: natural tensions\n2  | Bb7b9   # V7 of Eb: the b9 from the symbol\n3  | Eb6     # tonic: the 4th is in the key\n3  | Abm6    # a minor sixth chord: Dorian\n4  | Gm9     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Gbdim7  # passing diminished: a rootless dominant ♭9\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | B9#5    # tritone substitute: resolves down a half step to Bb7sus; b13 from the symbol\n6  | Bb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | Bb7b9   # V7 of Eb: the b9 from the symbol\n7  | Eb69    # tonic: the 4th is in the key\n8  | Eb69\n",1793575885889]