[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cry-me-a-river":3},"title: Cry Me A River\ncomposer: Arthur Hamilton\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n# area: Eb major (A1 1 – B 5)\n1 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Cmb6    # from the symbol: b6\n2 | Cm6     # a minor sixth chord: Dorian\n2 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n4 | G7b9    # III7 in Eb, not resolving: b9 and b13 are in the key\n5 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | C7b9    # extended dominant: V7 of F9; b9 from the symbol\n6 | F9      # II7 in Eb, not resolving: natural tensions\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | Eb6     # tonic: the 4th is in the key\n8 | G7b13   # III7 in Eb, not resolving: b9 and b13 are in the key\n9 | Eb6     # tonic: the 4th is in the key\n9 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Gm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Cm6     # a minor sixth chord: Dorian\n2 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n3 | Gm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Em7b5   # biiø7 in Eb: Locrian, its own mode (the chord is outside the key)\n4 | Eb7#11  # tritone substitute: resolves down a half step to D7b9\n4 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5 | Gm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Em7b5   # biiø7 in Eb: Locrian, its own mode (the chord is outside the key)\n# area: G major (B 6–7)\n6 | Am7b5   # iiø7 of G: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9    # V7 of G: the b9 from the symbol\n7 | GMaj7   # tonic: the 4th is in the key\n# area: Eb major (B 8 – A2 8)\n8 | Dm7     # ii of the ii–V to C minor\n8 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n\nsection: A2\n1 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Cmb6    # from the symbol: b6\n2 | Cm6     # a minor sixth chord: Dorian\n2 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm7     # ii of the ii–V to Eb\n3 | Bb7     # V7 of Eb: natural tensions\n4 | EbMaj7  # tonic: the 4th is in the key\n4 | G7b9    # III7 in Eb, not resolving: b9 and b13 are in the key\n5 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | C7b9    # extended dominant: V7 of F9; b9 from the symbol\n6 | F9      # II7 in Eb, not resolving: natural tensions\n7 | Fm7     # ii of the ii–V to Eb\n7 | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | Eb6     # tonic: the 4th is in the key\n8 | G7b13   # V7\u002Fvi in Eb: b9 and b13 are in the key\n",1793575885792]