[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:crepuscule-with-nellie":3},"title: Crepuscule With Nellie\ncomposer: Thelonious Monk\nstyle: Ballad\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n# area: Ab major (A1 1 – B 5)\n1 | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n2 | Eb7     # extended dominant: V7 of Ab7\n3 | Ab7     # extended dominant: V7 of Db7\n3 | Db7     # extended dominant: V7 of Gb7\n4 | Gb7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | F7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n6 | Bm7     # ii of E7: Dorian\n6 | E7      # extended ii–V: a side-step, its own key\n6 | Bbm7    # ii of the ii–V to Ab\n6 | Eb7     # V7 of Ab: natural tensions\n7 | Abadd9  # tonic: the 4th is in the key\n8 | Gb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Abm7    # a borrowed minor chord: Dorian, its own key\n1 | Ab6     # tonic: the 4th is in the key\n2 | Bm7     # a borrowed minor chord: Dorian, its own key\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | Ab\u002FEb   # tonic: the 4th is in the key\n3 | Bbm\u002FEb  # ii: Dorian, the key’s own notes\n3 | Cm\u002FEb   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Db\u002FEb   # IV: the #4 is the key’s 7th\n4 | Eb7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | Eb7     # V7 in Ab, not resolving: natural tensions\n5 | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Ab minor (B 5 – A3 6)\n5 | Bbm7    # ii of the ii–V to Ab minor\n5 | Eb7     # V7 of Ab minor: b9 and b13 are in the key\n6 | Abm     # tonic minor: Dorian by convention\n6 | Ab6     # a non-tonic major chord: Lydian\n6 | DbMaj7  # a non-tonic major chord: Lydian\n7 | DMaj7   # a non-tonic major chord: Lydian\n7 | EbMaj7  # a non-tonic major chord: Lydian\n7 | Eb7     # V7 in Ab minor, not resolving: b9 and b13 are in the key\n7 | Gb      # ♭VII of A♭ minor: G♭ major, the notes of A♭ Dorian\n8 | G       # a non-tonic major chord: Lydian\n8 | Ab      # a non-tonic major chord: Lydian\n8 | A       # a non-tonic major chord: Lydian\n8 | Bb      # a non-tonic major chord: Lydian\n\nsection: A3\n1 | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n2 | Eb7     # extended dominant: V7 of Ab7\n3 | Ab7     # extended dominant: V7 of Db7\n3 | Db7     # extended dominant: V7 of Gb7\n4 | Gb7     # bVII7 in Ab minor, not resolving: natural tensions\n5 | Cm7     # ii of F7b9: Dorian\n5 | F7b9    # extended ii–V: a side-step, its own key; b9 from the symbol\n6 | Bm7     # ii of E7: Dorian\n6 | E7      # extended ii–V: a side-step, its own key\n# area: Ab major (A3 6 – Coda 4)\n6 | Bbm7    # ii of the ii–V to Ab\n6 | Eb7     # V7 of Ab: natural tensions\n7 | Abadd9  # tonic: the 4th is in the key\n8 | Gb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n@coda 8\n\nsection: Coda\n1 | Gb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n2 | Abm6    # a minor sixth chord: Dorian\n2 | Ab6     # tonic: the 4th is in the key\n3 | A       # ♭II, borrowed from Ab Phrygian: Lydian (its ♯11 is in the key)\n3 | Bb      # a non-tonic major chord: Lydian\n4 | B       # ♭III, borrowed from Ab minor: Lydian (its ♯11 is in the key)\n4 | C7      # III7 in Ab, not resolving: b9 and b13 are in the key\n@coda 1\n",1793575885708]