[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:creek":3},"title: Creek\ncomposer: Victor Brasil\nstyle: Up baião\nkey: F\nform: AB, 38 bars\nrecording: Airto; Free; CTI; 1972\nyoutube: JIZ_CU6VFEo\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded April–May 1972, Van Gelder Studio, Englewood Cliffs, with Joe Farrell, Chick Corea, Nelson Ayres, Ron Carter, CTI 6020, credited \"V. Brazil\" as in the chart; the first recording of \"Creek (Arroio)\", by Victor Assis Brasil, who recorded no studio version of his own before it (Discogs); video: \"Provided to YouTube by Legacy Recordings\", Free, the 6:00 album take, the same take (not the 9:24 alternate)\n# style: a baião, not a samba: Arroio plays the baião on both takes, Airto's and the composer's (Pimentel, Brazilian Drums, pp.34–38, 64)\n# A is played twice before the solos (2nd time the solo starts at bar 19), once after; B is the solo section\n# the B solo chorus repeats; after solos, D.S. al Coda\n\n# bar | chord\n# the intro's first bar is a bass figure with no chord\n\nsection: Intro\n1  | F13     # I7 in F, not resolving: natural tensions\n2  | F13sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n3  | F13     # I7 in F, not resolving: natural tensions\n4  | F9sus4  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n\nsection: A\n# book: F13sus\n1  | F7      # V7\u002FIV in F: natural tensions\n2  | Bb      # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | F7      # V7\u002FIV in F: natural tensions\n5  | F7\n6  | Bb      # the F7 before it makes Bb the key of the moment: the 4th is in the key\n7  | F7      # extended dominant: V7 of Bb7\n9  | Bb7     # extended dominant: V7 of Eb7\n11 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | C7      # extended dominant: V7 of F7\n15 | F7      # static dominant: its own mode\n19 | F13     # I7 in F, not resolving: natural tensions\n20 | F13sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n21 | F13     # I7 in F, not resolving: natural tensions\n22 | F13sus  # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n@segno 1\n@coda 21\n\nsection: B\nbars: 18\n1  | F7      # extended dominant: V7 of Bb7\n9  | Bb7     # extended dominant: V7 of Eb7\n11 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | C7      # extended dominant: V7 of F7\n15 | F7      # I7 in F, not resolving: natural tensions\n16 | F7\n@nav 16 D.S. al Coda\n# D.S. al Coda falls at the end of bar 16 (F7 held from bar 15)\n\nsection: Coda\nbars: 4\n# Coda: vamp, solo and fade\n1  | F13     # I7 in F, not resolving: natural tensions\n2  | F13sus  # static sus: Mixolydian\n",1793484798963]