[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:crazy-he-calls-me":3},"title: Crazy He Calls Me\ncomposer: Carl Sigman\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–10)\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Gm7     # ii: Dorian, the key’s own notes\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Gm7     # ii: Dorian, the key’s own notes\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Bb7#11  # tritone substitute: resolves down a half step to Am7\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7      # V7\u002Fii in F: the b13 is in the key\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # V7\u002FI in F: natural tensions\n6  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | D7      # V7\u002Fii in F: the b13 is in the key\n7  | Gm7     # ii: Dorian, the key’s own notes\n7  | D9#5    # V7\u002Fii in F: the b13 is in the key, the #11 from the symbol\n8  | Gm7     # ii of C7b9: Dorian\n8  | C7b9    # V7\u002FI in F: the b9 from the symbol\n9  | Gm7     # ii of the ii–V to F\n9  | C7      # V7 of F: natural tensions\n10 | F6      # tonic: the 4th is in the key\n10 | Cm7     # ii of the ii–V to Bb minor\n10 | F7      # V7\u002Fiv in F: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: Ab major (B 1–2)\n1  | Bbm7    # ii of the ii–V to Ab\n1  | Eb7     # V7 of Ab: natural tensions\n2  | AbMaj7  # tonic: the 4th is in the key\n2  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: C major (B 3–7)\n3  | Dm7     # ii of the ii–V to C\n3  | G7      # V7 of C: natural tensions\n4  | C6      # tonic: the 4th is in the key\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of the ii–V to C\n5  | G7      # V7 of C: natural tensions\n6  | C6      # tonic: the 4th is in the key\n6  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Dm7     # ii of G7: Dorian\n7  | G7      # V7\u002FI in C: natural tensions\n# area: F major (B 8 – A2 8)\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7   # tonic: the 4th is in the key\n1  | Gm7     # ii: Dorian, the key’s own notes\n2  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Gm7     # ii: Dorian, the key’s own notes\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Bb7#11  # tritone substitute: resolves down a half step to Am7\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7      # V7\u002Fii in F: the b13 is in the key\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # V7\u002FI in F: natural tensions\n6  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | D7      # V7\u002Fii in F: the b13 is in the key\n7  | Gm7     # ii of the ii–V to F\n7  | C7      # V7 of F: natural tensions\n8  | F6      # tonic: the 4th is in the key\n8  | C7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n",1793575885668]