[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:crazy-blues":3},"title: Crazy Blues\ncomposer: Perry Bradford\nstyle: Medium Blues\ncontext: blues\nkey: E\nform: ABCDD, 68 bars\nrecording: Mamie Smith and Her Jazz Hounds; A History of Jazz: The New York Scene; RBF; 1961\nyoutube: ANQ2Y702hQg\n# analysis: 2026-10-22, rules v2; E, blues\n# recording: recorded 1920-08-10, New York, matrix S-7529-C (the only issued take DAHR lists); first issued on 78 (Okeh 4169, 1920); first LP RBF RF-3 (Folkways, 1961), then Columbia's The Sound of Harlem (1964); National Recording Registry 2005 (DAHR, Discogs, Wikipedia); video: \"Provided to YouTube by Sony Music Entertainment\", Columbia, \"Crazy Blues (78rpm Version)\", take C, the same take\n\nsection: A\n1  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n2  | E\n3  | E\n4  | E\n5  | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n6  | B7\n7  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n8  | E7       # I7 of the blues: a tonic with dominant color, Mixolydian\n9  | A        # IV of the blues: a triad here implies its ♭7, Mixolydian\n10 | Am       # a borrowed minor chord: Dorian, its own key\n11 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n12 | E7       # I7 of the blues: a tonic with dominant color, Mixolydian\n13 | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n14 | B7\n15 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n16 | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n\nsection: B\n1  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n2  | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n3  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n4  | E7       # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | A7       # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n6  | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n7  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n8  | Fdim7    # vii°7 of F#m7: C#7♭9 without its root\n9  | F#m7     # ii of the ii–V to E\n9  | B7       # V7 of E: natural tensions\n11 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n11 | A        # IV of the blues: a triad here implies its ♭7, Mixolydian\n11 | Am       # a borrowed minor chord: Dorian, its own key\n12 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n12 | C7       # tritone substitute: resolves down a half step to B7\n12 | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n\nsection: C\n1  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n2  | E7       # I7 of the blues: a tonic with dominant color, Mixolydian\n3  | A7       # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n4  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n5  | E\n6  | E7       # I7 of the blues: a tonic with dominant color, Mixolydian\n7  | F#7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n9  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n10 | Em       # a borrowed minor chord: Dorian, its own key\n11 | A        # IV of the blues: a triad here implies its ♭7, Mixolydian\n12 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n13 | C#m      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | C#mMaj7  # from the symbol: minor-major 7th\n14 | C#m7     # ii of F#7: Dorian\n14 | F#7      # V7 of V7: the dominant of the dominant: natural tensions\n15 | F#7\n15 | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n16 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n@segno 1\n@nav 16 Fine\n\nsection: D1\n1  | E\n2  | E\u002FB      # I of the blues: a triad here implies its ♭7, Mixolydian\n3  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n4  | E7       # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | A7       # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n6  | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n7  | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n8  | E\n9  | B7       # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n10 | B7\n11 | E        # I of the blues: a triad here implies its ♭7, Mixolydian\n12 | E\n@nav 12 D.S. al Fine\n\nsection: D2\ncopy: D1\n",1793484798954]