[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:country":3},"title: Country\ncomposer: Keith Jarrett\nstyle: Even 8ths\nkey: Eb\nform: AABB, 64 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Ab      # IV: the #4 is the key’s 7th\n2  | Bb      # V without its 7th: Mixolydian, the key’s own notes\n3  | Eb      # tonic: the 4th is in the key\nalt 3  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Eb7     # V7\u002FIV in Eb: natural tensions\nalt 4  | Cm\n5  | Ab      # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n6  | Bb      # V without its 7th: Mixolydian, the key’s own notes\n6  | G\u002FB     # a non-tonic major chord: Lydian\n7  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Cm\n8  | Eb7\u002FBb  # V7\u002FIV in Eb: natural tensions\n9  | Ab      # the Eb7\u002FBb before it makes Ab the key of the moment: the 4th is in the key\n10 | Bb      # V without its 7th: Mixolydian, the key’s own notes\n10 | G\u002FB     # a non-tonic major chord: Lydian\n11 | Cm      # ii of F7: Dorian\n12 | F7      # V7\u002FV in Eb: natural tensions\n12 | F#dim7  # vii°7 to Eb\u002FG, up to its bass: D7♭9 without its root\n13 | Eb\u002FG    # tonic: the 4th is in the key\n14 | Ab      # IV: the #4 is the key’s 7th\n15 | Bb7     # V7 of Eb: natural tensions\n15 | Eb      # tonic: the 4th is in the key\n16 | Eb\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | Ab      # IV: the #4 is the key’s 7th\n2  | Fm7     # ii: Dorian, the key’s own notes\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | G7b9    # V7 of the Cm7 before it: b9 and b13 are in the key\n6  | Ab      # IV: the #4 is the key’s 7th\n7  | F7sus   # static sus: Mixolydian\n8  | F#dim7  # passing diminished: a rootless dominant ♭9\n9  | Eb\u002FBb   # tonic: the 4th is in the key\n10 | Bb7sus  # static sus: Mixolydian\n11 | Dm11    # ii of the ii–V to C minor\n11 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n12 | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Eb7\u002FBb  # V7\u002FIV in Eb: natural tensions\n12 | Ab      # the Eb7\u002FBb before it makes Ab the key of the moment: the 4th is in the key\n13 | Eb\u002FG    # tonic: the 4th is in the key\n14 | Ab      # IV: the #4 is the key’s 7th\n15 | Bb7     # V7 of Eb: natural tensions\n15 | Eb      # tonic: the 4th is in the key\n16 | Eb\n\nsection: B2\ncopy: B1\n",1793575885594]