[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:could-it-be-you":3},"title: Could It Be You\ncomposer: Cole Porter\nstyle: Ballad\nkey: Bb\nform: AA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A\n# area: Bb major (A 1–7)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | Cm7     # ii of the ii–V to Bb\n2  | F7      # V7 of Bb: natural tensions\n3  | BbMaj7  # tonic: the 4th is in the key\n4  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gbm7    # a borrowed minor chord: Dorian, its own key\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7\u002FIV in Bb: natural tensions\n5  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7\u002FIV in Bb: natural tensions\n7  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n# area: F major (A 8–15)\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n9  | FMaj7   # tonic: the 4th is in the key\n10 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n11 | Dm7     # ii of G7: Dorian\n11 | G7      # V7\u002FV in F: natural tensions\n12 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n13 | Gm7     # ii of C7: Dorian\n14 | C7      # extended dominant: V7 of F7\n15 | F7      # I7 in F, not resolving: natural tensions\n# area: Bb major (A 16–24)\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n17 | BbMaj7  # tonic: the 4th is in the key\n18 | D7      # III7 in Bb, not resolving: b9 and b13 are in the key\n19 | EbMaj7  # IV: the #4 is the key’s 7th\n20 | Ebm7    # ii of Ab7: Dorian\n20 | Ab7     # back door bVII7 to BbMaj7: the #11 is in the key\n21 | BbMaj7  # tonic: the 4th is in the key\n22 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n22 | F7      # V7 of Bb: natural tensions\n23 | Bb6     # tonic: the 4th is in the key\n24 | Cm7     # ii of the ii–V to Bb\n24 | F7      # V7 of Bb: natural tensions\n@ending 1 9 16\n@ending 2 17 24\n",1793575885573]