[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:corner-pocket":3},"title: Corner Pocket\naka: Until I Met You\nsubtitle: Medium (Until I Met You)\ncomposer: Freddie Green\nstyle: Medium\nkey: Bb\nform: AABA\nrecording: Count Basie and His Orchestra; April in Paris; Verve; 1957\nyoutube: bTcmPGdDecw\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1955-07-26, Fine Sound, NYC, with the composer Freddie Green on guitar, Verve MGV 8012, the first recording of it as far as the sources show (Wikipedia); video: \"Provided to YouTube by Universal Music Group\", April In Paris, the same take (not the second take, a CD bonus)\n\n# bar | chord | scale\n\nsection: A1\n1 | Cm7     # ii of F7: Dorian\n1 | F7      # V7\u002FI in Bb: natural tensions\n2 | Cm7     # ii of F7: Dorian\n2 | F7      # V7\u002FI in Bb: natural tensions\n3 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | G7      # extended ii–V: a side-step, its own key\n4 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7      # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii of F7: Dorian\n5 | F7      # V7\u002FI in Bb: natural tensions\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | Bb6     # tonic: the 4th is in the key\n8 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | G7      # V7\u002Fii in Bb: the b13 is in the key\n\nsection: A2\nbars: 8\n1 | Cm7     # ii of F7: Dorian\n1 | F7      # V7\u002FI in Bb: natural tensions\n2 | Cm7     # ii of F7: Dorian\n2 | F7      # V7\u002FI in Bb: natural tensions\n3 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | G7      # extended ii–V: a side-step, its own key\n4 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | G7      # V7\u002Fii in Bb: the b13 is in the key\n5 | Cm7     # ii of F7: Dorian\n5 | F7      # V7\u002FI in Bb: natural tensions\n6 | Cm7     # ii of the ii–V to Bb\n6 | F7      # V7 of Bb: natural tensions\n7 | Bb6     # tonic: the 4th is in the key\n\nsection: B\n1 | Fm7     # ii of Bb7: Dorian\n1 | Bb7     # V7\u002FIV in Bb: natural tensions\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7\u002FIV in Bb: natural tensions\n3 | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n5 | Gm7     # ii of C7: Dorian\n5 | C7      # V7\u002FV in Bb: natural tensions\n6 | Gm7     # ii of C7: Dorian\n6 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | F7      # V7 in Bb, not resolving: natural tensions\n8 | Cm7     # ii of F7: Dorian\n8 | F7      # V7\u002FI in Bb: natural tensions\n\nsection: A3\ncopy: A1\n",1793484798904]