[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:confessin":3},"title: Confessin'\ncomposer: Daugherty, Neiberg, Reynolds\nstyle: Medium Swing\nkey: G\nform: AABA, 32 bars\naka: That I Love You\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | GMaj7  # tonic: the 4th is in the key\n1  | D7#5   # V7 of G: #11 and b13 from the symbol\n2  | GMaj7  # tonic: the 4th is in the key\n2  | D7#5   # V7 of G: #11 and b13 from the symbol\n3  | GMaj7  # tonic: the 4th is in the key\n4  | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7     # extended dominant: V7 of A7\n5  | A7     # extended dominant: V7 of D7sus\n6  | D7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | D7     # V7 of G: natural tensions\n7  | G6     # tonic: the 4th is in the key\n8  | Am7    # ii of the ii–V to G\n8  | D7     # V7 of G: natural tensions\n9  | G6     # tonic: the 4th is in the key\n10 | G6\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm7    # ii of the ii–V to C\n2  | G7     # V7\u002FIV in G: natural tensions\n3  | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n3  | G7#5   # V7\u002FIV in G: #11 and b13 from the symbol\n4  | C6     # the G7#5 before it makes C the key of the moment: the 4th is in the key\n5  | Em7    # ii of A7: Dorian\n6  | A7     # V7\u002FV in G: natural tensions\n7  | Am6    # a minor sixth chord: Dorian\n7  | E7     # tritone substitute: resolves down a half step to Eb7\n7  | Eb7    # tritone substitute: resolves down a half step to D9sus\n8  | D9sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | D7b9   # V7 of G: the b9 from the symbol\n\nsection: A2\n1  | GMaj7  # tonic: the 4th is in the key\n1  | D7#5   # V7 of G: #11 and b13 from the symbol\n2  | GMaj7  # tonic: the 4th is in the key\n2  | D7#5   # V7 of G: #11 and b13 from the symbol\n3  | GMaj7  # tonic: the 4th is in the key\n4  | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7     # extended dominant: V7 of A7\n5  | A7     # extended dominant: V7 of D7sus\n6  | D7sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | D7     # V7 of G: natural tensions\n7  | G6     # tonic: the 4th is in the key\n8  | Am7    # ii of the ii–V to G\n8  | D7     # V7 of G: natural tensions\n",1793575885351]