[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:conception":3},"title: Conception\ncomposer: George Shearing\nstyle: Medium Swing\nkey: Db\nform: AABA, 44 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A1\n# area: Db major (A1 1–8)\n1  | Ebm7b5  # iiø7 of Db: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Ab7b9   # V7 of Db: the b9 from the symbol\n3  | DbMaj7  # tonic: the 4th is in the key\n3  | Bm7     # a borrowed minor chord: Dorian, its own key\n4  | AMaj7   # ♭VImaj7, borrowed from Db minor: Lydian (its ♯11 is in the key)\n4  | AbMaj7  # a non-tonic major chord: Lydian\n5  | Abm7    # ii of Db7: Dorian\n5  | Db7     # extended dominant: V7 of Gb7\n6  | Gb7     # tritone substitute: resolves down a half step to F7\n6  | F7      # extended dominant: V7 of Bb7\n7  | Bb7     # tritone substitute: resolves down a half step to A7\n7  | A7      # tritone substitute: resolves down a half step to Ab7\n8  | Ab7     # tritone substitute: resolves down a half step to G7\n8  | G7      # tritone substitute: resolves down a half step to F#m7\n# area: E major (A1 9–10)\n9  | F#m7    # ii of the ii–V to E\n9  | B7      # V7 of E: natural tensions\n10 | EMaj7   # tonic: the 4th is in the key\n10 | AMaj7   # IV: the #4 is the key’s 7th\n# area: Db major (A1 11 – A2 8)\n11 | Ebm7    # ii of the ii–V to Db\n11 | Ab7     # V7 of Db: natural tensions\n12 | DbMaj7  # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: E major (B 1–3)\n1  | F#m7    # ii of the ii–V to E\n2  | B7alt   # from the symbol: altered\n3  | EMaj7   # tonic: the 4th is in the key\n3  | F#m7    # ii: Dorian, the key’s own notes\n# area: Db major (B 4 – A3 8)\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # V7\u002FIV in Db: natural tensions\n5  | Gm7     # ii of C7: Dorian\n5  | C7      # extended ii–V: a side-step, its own key\n6  | F#m7    # ii of the ii–V to E minor\n6  | B7      # V7\u002Fbiii in Db: the #11 is in the key\n7  | Em7     # ii of A7: Dorian\n8  | A7      # extended ii–V: a side-step, its own key\n\nsection: A3\n1  | Ebm7b5  # iiø7 of Db: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Ab7b9   # V7 of Db: the b9 from the symbol\n3  | DbMaj7  # tonic: the 4th is in the key\n3  | Bm7     # a borrowed minor chord: Dorian, its own key\n4  | AMaj7   # ♭VImaj7, borrowed from Db minor: Lydian (its ♯11 is in the key)\n4  | AbMaj7  # a non-tonic major chord: Lydian\n5  | Abm7    # ii of Db7: Dorian\n5  | Db7     # extended dominant: V7 of Gb7\n6  | Gb7     # tritone substitute: resolves down a half step to F7\n6  | F7      # extended dominant: V7 of Bb7\n7  | Bb7     # tritone substitute: resolves down a half step to A7\n7  | A7      # tritone substitute: resolves down a half step to Ab7\n8  | Ab7     # tritone substitute: resolves down a half step to G7\n8  | G7      # tritone substitute: resolves down a half step to F#m7\n# area: E major (A3 9–10)\n9  | F#m7    # ii of the ii–V to E\n9  | B7      # V7 of E: natural tensions\n10 | EMaj7   # tonic: the 4th is in the key\n10 | AMaj7   # IV: the #4 is the key’s 7th\n# area: Db major (A3 11–12)\n11 | Ebm7    # ii of the ii–V to Db\n11 | Ab7     # V7 of Db: natural tensions\n12 | DbMaj7  # tonic: the 4th is in the key\n",1793575885315]