[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:con-alma":3},"title: Con Alma\nsubtitle: 12\u002F8, E and C\ncomposer: Dizzy Gillespie\nstyle: Mixed\nkey: D\nform: AABA\nrecording: Dizzy Gillespie; Afro; Norgran; 1954\nyoutube: EItHa5XodWQ\n# analysis: 2026-10-19, rules v2; D\n# recording: recorded 1954-06-03 with his Latin American rhythm section; matrix 1740-3, first issued on LP (Norgran MGN-1003) (jazzdisco, Wikipedia)\n\n# bar | chord | scale\n# the bridge is in 4\u002F4 on the sheet; the chart counts its bars as written\n\nsection: A1\n# area: D major (A1 1)\n1 | EMaj7   # a non-tonic major chord: Lydian\n# area: Db minor (A1 1–3)\n1 | Ab7\u002FEb  # V7 of Db minor: b9 and b13 are in the key\n2 | Dbm7    # tonic minor: Dorian by convention\n2 | B7      # tritone substitute: resolves down a half step to Bb7\n3 | Bb7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: Eb major (A1 3–4)\n3 | E7      # tritone substitute: resolves down a half step to EbMaj7\n4 | EbMaj7  # tonic: the 4th is in the key\n# area: Db major (A1 4–7)\n4 | Ebm7    # ii of the ii–V to Db\n4 | Ab7     # V7 of Db: natural tensions\n5 | DbMaj7  # tonic: the 4th is in the key\n5 | F7\u002FC    # V7\u002Fvi in Db: b9 and b13 are in the key\n6 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Ab7     # tritone substitute: resolves down a half step to G7\n7 | G7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: C major (A1 7–8)\n7 | Db7     # tritone substitute: resolves down a half step to CMaj7\n8 | CMaj7   # tonic: the 4th is in the key\n# area: E major (A1 8 – A2 3)\n8 | F#m7    # ii of the ii–V to E\n8 | B7      # V7 of E: natural tensions\n\nsection: A2\n1 | EMaj7   # tonic: the 4th is in the key\n1 | Ab7\u002FEb  # V7\u002Fvi in E: b9 and b13 are in the key\n2 | Dbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | B7      # tritone substitute: resolves down a half step to Bb7\n3 | Bb7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: Eb major (A2 3–4)\n3 | E7      # tritone substitute: resolves down a half step to EbMaj7\n4 | EbMaj7  # tonic: the 4th is in the key\n# area: Db major (A2 4–7)\n4 | Ebm7    # ii of the ii–V to Db\n4 | Ab7     # V7 of Db: natural tensions\n5 | DbMaj7  # tonic: the 4th is in the key\n5 | F7\u002FC    # V7\u002Fvi in Db: b9 and b13 are in the key\n6 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Ab7     # tritone substitute: resolves down a half step to G7\n7 | G7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n# area: C major (A2 7 – B 2)\n7 | Db7     # tritone substitute: resolves down a half step to CMaj7\n8 | CMaj7   # tonic: the 4th is in the key\n\nsection: B\n1 | Cm7b5   # iiø7 of F7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | F7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n# area: E major (B 3 – A3 3)\n3 | F#m7    # ii of the ii–V to E\n4 | B7      # V7 of E: natural tensions\n5 | EMaj7   # tonic: the 4th is in the key\n7 | Fm7     # ii of Bb7: Dorian\n8 | Bb7     # extended ii–V: a side-step, its own key\n8 | F#m7    # ii of the ii–V to E\n8 | B7      # V7 of E: natural tensions\n\nsection: A3\ncopy: A2\n",1793484798836]