[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:compared-to-what":3},"title: Compared to What\ncomposer: Eugene McDaniels\nstyle: Medium gospel rock\nkey: F\nform: ABC, 48 bars\nrecording: Les McCann and Eddie Harris; Swiss Movement; Atlantic; 1969\nyoutube: _UrjQSVbIkk\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded live 1969-06-21, Montreux Jazz Festival, Les McCann (piano, vocal), Eddie Harris, Benny Bailey, Leroy Vinnegar, Donald Dean, Atlantic SD 1537; the hit reading of the song (McCann had first cut it on Much Les, 1969), with the piano intro and solo vamp the chart follows (Wikipedia); video: \"Provided to YouTube by Rhino Atlantic\", Swiss Movement (Montreux 30th Anniversary), the same performance\n\n# Intro bars 1–8 (and the pickup): N.C., the piano and bass figure\n# Intro bars 9–48: a piano solo; the drums play time from bar 25\n# A bars 1, 5, 7, 9: the bar opens on its bass note alone (F, F#, F#, G bass), the chord comes on beat 3\n# printed C13sus (A bars 21–24): written C9sus4, the nearest symbol the library reads\n# B repeats for each verse (4x); C is the solo vamp (4x); after the fourth verse D.S. (fifth verse) al Coda\n# B bars 13–14 and Coda bars 11–12: a drum break under the melody\n# Coda: bars 1–2 vamp till cue, then bars 3–14 on cue\n# bar | chord\n\nsection: Intro\nbars: 48\n1  | N.C.\n9  | Ebm7     # a borrowed minor chord: Dorian, its own key\n25 | Eb7      # tritone substitute: resolves down a half step to Dm7\n33 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n41 | F7       # static dominant: its own mode\n\nsection: A\n1  | Gm7\u002FF    # ii: Dorian, the key’s own notes\n2  | Fdim7    # auxiliary diminished: it decorates the chord and returns to it\n2  | F7       # I7 in F, not resolving: natural tensions\n3  | Gm7\u002FF    # ii: Dorian, the key’s own notes\n4  | Fdim7    # auxiliary diminished: it decorates the chord and returns to it\n4  | F7       # I7 in F, not resolving: natural tensions\n5  | G#m7\u002FF#  # a borrowed minor chord: Dorian, its own key\n6  | F#dim7   # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n6  | F#7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | G#m7\u002FF#  # a borrowed minor chord: Dorian, its own key\n8  | F#dim7   # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n8  | F#7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Am7\u002FG    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Gdim7    # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n10 | G7       # II7 in F, not resolving: natural tensions\n11 | Am7\u002FG    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Gdim7    # auxiliary diminished: it decorates the chord and returns to it; not functioning diatonically: the symmetric scale\n12 | G7       # II7 in F, not resolving: natural tensions\n13 | Db\u002FAb    # ♭VI, borrowed from F minor: Lydian (its ♯11 is in the key)\n13 | Ab       # ♭III, borrowed from F minor: Lydian (its ♯11 is in the key)\n13 | Db\u002FAb    # ♭VI, borrowed from F minor: Lydian (its ♯11 is in the key)\n14 | Db\u002FAb\n15 | D\u002FA      # a non-tonic major chord: Lydian\n15 | A        # a non-tonic major chord: Lydian\n15 | D\u002FA      # a non-tonic major chord: Lydian\n16 | D\u002FA\n17 | Eb\u002FBb    # ♭VII, borrowed from F minor: Lydian (its ♯11 is in the key)\n17 | Bb       # IV: the #4 is the key’s 7th\n17 | Eb\u002FBb    # ♭VII, borrowed from F minor: Lydian (its ♯11 is in the key)\n18 | Eb\u002FBb\n19 | E\u002FB      # a non-tonic major chord: Lydian\n19 | B        # a non-tonic major chord: Lydian\n19 | E\u002FB      # a non-tonic major chord: Lydian\n20 | E\u002FB\n21 | C9sus4   # static sus: Mixolydian\n25 | F7       # V7\u002FIV in F: natural tensions\n25 | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n26 | F7       # V7\u002FIV in F: natural tensions\n26 | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n27 | F7       # V7\u002FIV in F: natural tensions\n27 | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n28 | F7       # V7\u002FIV in F: natural tensions\n28 | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n@segno 1\n\nsection: B\n1  | F7       # V7\u002FIV in F: natural tensions\n2  | F7\n2  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | F7       # V7\u002FIV in F: natural tensions\n4  | F7\n4  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | F7       # V7\u002FIV in F: natural tensions\n6  | F7\n6  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n7  | F7       # V7\u002FIV in F: natural tensions\n8  | F7\n8  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n9  | F7       # V7\u002FIV in F: natural tensions\n9  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | F7       # V7\u002FIV in F: natural tensions\n10 | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n11 | F7       # V7\u002FIV in F: natural tensions\n11 | Bb\u002FF     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n11 | F7       # V7\u002FIV in F: natural tensions\n15 | F7\n15 | Bb\u002FF     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n15 | F7       # V7\u002FIV in F: natural tensions\n16 | F7\n16 | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n@coda 16\n\nsection: C\n1  | F7       # V7\u002FIV in F: natural tensions\n1  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | F7       # V7\u002FIV in F: natural tensions\n2  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | F7       # V7\u002FIV in F: natural tensions\n3  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n4  | F7       # V7\u002FIV in F: natural tensions\n4  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n@nav 4 D.S. al Coda\n\nsection: Coda\nbars: 16\n1  | F7       # V7\u002FIV in F: natural tensions\n1  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n2  | F7       # V7\u002FIV in F: natural tensions\n2  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3  | F7       # V7\u002FIV in F: natural tensions\n4  | F7\n4  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n5  | F7       # V7\u002FIV in F: natural tensions\n6  | F7\n6  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n7  | F7       # V7\u002FIV in F: natural tensions\n7  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8  | F7       # V7\u002FIV in F: natural tensions\n8  | Bb\u002FC     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n9  | F7       # V7\u002FIV in F: natural tensions\n9  | Bb\u002FF     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n9  | F7       # V7\u002FIV in F: natural tensions\n13 | F7\n13 | Bb\u002FF     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n13 | F7       # V7 of the Bb\u002FF before it: natural tensions\n@coda 1\n",1793484798828]