[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:comes-love":3},"title: Comes Love\ncomposer: Brown, Stept, Tobias\nstyle: Medium Swing\nkey: Gm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: A1\n# area: G minor (A1 1 – B 3)\n1 | Gm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2 | Gm6\n3 | D7b13  # V7 of the Gm6 before it: b9 and b13 are in the key\n4 | D7b13\n5 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9   # V7 of G minor: b9 and b13 are in the key\n7 | Gm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8 | Am7b5  # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9   # V7\u002Fi in G minor: b9 and b13 are in the key\n9 | Eb7    # tritone substitute: resolves down a half step to D7\n9 | D7     # V7 of G7b13, on the way to C minor: b9 and b13 are in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | G7b13  # V7 of C minor, the chain's last link: b9 and b13 are in the key\n2 | G7b13\n3 | Cm7    # iv: Dorian, the key’s own notes\n3 | G7b9   # V7\u002Fiv in G minor: the b13 is in the key, the b9 from the symbol\n# area: Bb major (B 4–7)\n4 | Cm7    # ii of the ii–V to Bb\n5 | F7     # V7 of Bb: natural tensions\n6 | F7\n7 | Bb6    # tonic: the 4th is in the key\n# area: G minor (B 8 – A2 8)\n8 | D7b13  # V7 of G minor: b9 and b13 are in the key\n\nsection: A2\n1 | Gm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2 | Gm6\n3 | D7b13  # V7 of the Gm6 before it: b9 and b13 are in the key\n4 | D7b13\n5 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | D7b9   # V7 of G minor: b9 and b13 are in the key\n7 | Gm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9   # V7 of G minor: b9 and b13 are in the key\n",1793575885264]