[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:come-rain-or-come-shine":3},"title: Come Rain Or Come Shine\ncomposer: Harold Arlen\nstyle: Medium Swing\nkey: F\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1–7)\n1  | FMaj7  # tonic: the 4th is in the key\n2  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n3  | Dm7    # ii of G7: Dorian\n4  | Dm7\n5  | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6  | C7     # V7 of F: natural tensions\n7  | FMaj7  # tonic: the 4th is in the key\n# area: Bb minor (A 8–15)\n8  | Cm7    # ii of the ii–V to Bb minor\n8  | F7     # V7 of Bb minor: b9 and b13 are in the key\n9  | Bbm7   # tonic minor: Dorian by convention\n10 | Fm7    # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n11 | Bbm7   # tonic minor: Dorian by convention\n12 | Gm7    # ii of C7: Dorian\n12 | C7     # extended ii–V: a side-step, its own key\n13 | Bm7b5  # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | E7b9   # V7\u002Fvii in Bb minor: the #11 is in the key, the b9 from the symbol\nalt 13 | Dm7b5  # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\nalt 13 | G7b9   # V7 of C minor: b9 and b13 are in the key\n14 | Am7b5  # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | D7b9   # extended ii–V: a side-step, its own key: b9 and b13 are in the key\nalt 14 | Cm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\nalt 14 | D7b9   # II7 in C minor, not resolving: b9 and b13 are in the key\n15 | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n15 | D7b9   # V7\u002Fvi in Bb minor: b9, #11 and b13 are in the key\n# area: F major (A 16 – B 16)\n16 | Gm7    # ii of the ii–V to F\n16 | C7     # V7 of F: natural tensions\n\nsection: B\n1  | FMaj7  # tonic: the 4th is in the key\n2  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n3  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7\n5  | Bm7    # ii of E7: Dorian\n6  | E7     # extended dominant: V7 of A7\n7  | A7     # extended dominant: V7 of D7\n8  | A7\n9  | D7     # extended dominant: V7 of G7\n10 | D7\n11 | G7     # II7 in F, not resolving: natural tensions\n12 | Bb7    # tritone substitute: resolves down a half step to A7b9\n12 | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n13 | Dm     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | Bm7b5  # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n14 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | A7b9   # V7\u002Fvi in F: b9 and b13 are in the key\n15 | Dm6    # a minor sixth chord: Dorian\n16 | Gm7    # ii of the ii–V to F\n16 | C7     # V7 of F: natural tensions\n",1793575885217]