[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:come-fly-with-me":3},"title: Come Fly With Me\ncomposer: Jimmy Van Heusen\nstyle: Medium Up Swing\nkey: C\nform: AAB, 47 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1 – B 4)\n1  | CMaj7   # tonic: the 4th is in the key\n1  | C6      # tonic: the 4th is in the key\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Ebdim7  # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n3  | Dm7     # ii of the ii–V to C\n4  | G7      # V7 of C: natural tensions\n5  | CMaj7   # tonic: the 4th is in the key\n5  | C6      # tonic: the 4th is in the key\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7\u002FIV in C: natural tensions\n7  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n8  | Bb7     # back door bVII7 to CMaj7: the #11 is in the key\n9  | CMaj7   # tonic: the 4th is in the key\n9  | C6      # tonic: the 4th is in the key\n10 | F7      # tritone substitute: resolves down a half step to E7\n11 | E7      # extended dominant: each one falls a fifth into the next: natural tensions\n11 | A7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n12 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n12 | G7      # V7 in C, not resolving: natural tensions\n13 | F7      # IV7 in C, not resolving: the #11 is in the key\n13 | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n14 | C6      # tonic: the 4th is in the key\n14 | G7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n15 | C6      # tonic: the 4th is in the key\n@ending 1 10 12\n@ending 2 13 15\n\nsection: B\n1  | Ab      # ♭VI, borrowed from C minor: Lydian (its ♯11 is in the key)\n2  | Ab+     # from the symbol: augmented\n3  | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n4  | Db6     # ♭II6, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n# area: Ab major (B 5–12)\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7 of Ab: natural tensions\n7  | Ab6     # tonic: the 4th is in the key\n8  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | Ab      # tonic: the 4th is in the key\n9  | Ab+     # from the symbol: augmented\n10 | Ab6     # tonic: the 4th is in the key\n11 | GMaj7   # a non-tonic major chord: Lydian\n12 | Em7     # a borrowed minor chord: Dorian, its own key\n# area: C major (B 13–23)\n13 | Am7     # ii of D7: Dorian\n14 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n15 | G7      # V7 in C, not resolving: natural tensions\n15 | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | G7      # V7 in C, not resolving: natural tensions\n16 | G7b9    # V7 in C, not resolving: the b9 from the symbol\n17 | F7      # IV7 in C, not resolving: the #11 is in the key\n18 | Em7b5   # iiiø7 in C: Locrian, its own mode (the chord is outside the key)\n18 | Bb7     # tritone substitute: resolves down a half step to A7b9\n19 | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n20 | D7      # II7 in C, not resolving: natural tensions\n21 | Dm7     # ii of the ii–V to C\n21 | G7      # V7 of C: natural tensions\n22 | C6      # tonic: the 4th is in the key\n23 | Dm7     # ii of the ii–V to C\n23 | G7      # V7 of C: natural tensions\n@nav 15 D.C. al 3rd Ending\n",1793575885197]