[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:come-back-baby":3},"title: Come Back Baby\ncomposer: Mance Lipscomb\nstyle: Slow Blues\ncontext: blues\nkey: Eb\nform: AA, 16 bars\nrecording: Mance Lipscomb; Texas Songster Volume 2; Arhoolie; 1964\nyoutube: saWQjJcXRpY\n# analysis: 2026-10-22, rules v2; Eb, blues\n# recording: recorded 1964-05-02, Berkeley, California, by Chris Strachwitz, Mance Lipscomb solo, Arhoolie F 1023; the chart credits Lipscomb, so his version over Walter Davis's 1940 original and Ray Charles's 1954 Atlantic side (Discogs, MusicBrainz); video: \"Provided to YouTube by The Orchard\", Smithsonian Folkways (originally Arhoolie), the CD reissue of the same session, the same recording\n\nsection: A\n1 | Eb7    # I7 of the blues: a tonic with dominant color, Mixolydian\n2 | Eb7\n3 | Ab9    # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n3 | Gb7    # tritone substitute: resolves down a half step to F7\n4 | F7     # II7 in Eb, not resolving: natural tensions\n4 | Ab9    # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n4 | Adim   # ♯IV°7 to I over its 5th: D7♭9 without its root, the ♯II°7's notes\n5 | Eb\u002FBb  # I of the blues: a triad here implies its ♭7, Mixolydian\n5 | Cm7    # ii of F7: Dorian\n6 | F7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb13   # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n7 | Eb7    # I7 of the blues: a tonic with dominant color, Mixolydian\n7 | Ab     # IV of the blues: a triad here implies its ♭7, Mixolydian\n8 | Eb     # I of the blues: a triad here implies its ♭7, Mixolydian\n8 | Bb7#5  # V7 of the blues: a dominant that needn’t resolve; #11 and b13 from the symbol\n9 | Eb     # I of the blues: a triad here implies its ♭7, Mixolydian\n9 | E9     # tritone substitute: resolves down a half step to Eb\n9 | Eb     # I of the blues: a triad here implies its ♭7, Mixolydian\n@ending 1 8\n@ending 2 9\n",1793484798775]