[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:coisa-feita":3},"title: Coisa Feita\ncomposer: João Bosco\nstyle: Samba\nkey: C\nform: AABCDD, 48 bars\nrecording: João Bosco; Comissão de Frente; Ariola; 1982\nyoutube: nz4xofVusNU\n# analysis: 2026-10-28, rules v2; C\n# recording: Ariola 201 905 (1982), prod. Cesar Camargo Mariano; the composer's own first recording, rule 1; sources: Discogs, YouTube Topic credits; video: Universal Music Group \"Provided to YouTube\" upload, Comissão de Frente, ℗ 1982, 3:27\n\nsection: Intro\n1  | C69     # tonic: the 4th is in the key\n2  | C69\n3  | C69\n4  | C69\n5  | C69\n6  | C69\n7  | Dm7\u002FG   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | G7b9    # V7 of C: the b9 from the symbol\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | D9      # II7 in C, not resolving: natural tensions\n4  | D9\n5  | Dm7     # ii of G13: Dorian\n6  | G13     # V7\u002FI in C: natural tensions\n7  | AbMaj9  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n8  | DbMaj7  # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | CMaj7   # tonic: the 4th is in the key\n2  | CMaj7\n3  | Cm7     # a borrowed minor chord: Dorian, its own key\n4  | Cm7\n5  | D7#11   # V7 of V7: the dominant of the dominant: the #11 from the symbol\n6  | D7#11\n7  | G13     # V7 in C, not resolving: natural tensions\n8  | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | G7b9    # extended dominant: V7 of C13; b9 from the symbol\n\nsection: C\n1  | C13     # I7 in C, not resolving: natural tensions\n2  | C13\n3  | Gm7\u002FC   # static sus: Mixolydian\n4  | Gm7\u002FC\n5  | D9      # II7 in C, not resolving: natural tensions\n6  | D9\n7  | Dm7     # ii of G7: Dorian\n8  | G7      # tritone substitute: resolves down a half step to Gb7#11\n8  | Gb7#11  # tritone substitute: resolves down a half step to FMaj7\n@coda 8\n\nsection: D1\n1  | FMaj7   # the Gb7#11 before it makes F the key of the moment: the 4th is in the key; the repeat at D2 bar 1 would be F Lydian\n2  | Bb9     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C69     # tonic: the 4th is in the key\n8  | G7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | G7b9    # V7 in C, not resolving: the b9 from the symbol\n\nsection: D2\ncopy: D1\n\nsection: Coda\n1  | FMaj7   # IV: the #4 is the key’s 7th\n2  | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | Gm7     # ii of C7b9: Dorian\n8  | C7b9    # V7\u002FIV in C: the b9 from the symbol\n9  | C69     # tonic: the 4th is in the key\n10 | C69\n11 | C69\n12 | C69\n@coda 1\n@ending 1 7 8\n@ending 2 9 12\n",1793484798752]