[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:close-enough-for-love":3},"title: Close Enough For Love\ncomposer: Mandel, Williams\nstyle: Ballad\nkey: Ab\nform: AABA, 44 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | D7#9#5  # V7 of G7#9b5, on the way to F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | G7#9b5  # V7 of C7b9, on the way to F minor: b9, #9, #11 and 13 from the symbol\n2  | C7b9    # V7 of F minor, the chain's last link: b9 and b13 are in the key\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n4  | Eb7     # extended dominant: V7 of Ab7\n4  | Ab7     # V7\u002FIV in Ab: natural tensions\n5  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n5  | Bbm7    # ii: Dorian, the key’s own notes\n6  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | F7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | Eb7     # extended dominant: V7 of Ab7\n8  | Ab7     # V7\u002FIV in Ab: natural tensions\n9  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n9  | G7      # VII7 in Ab, not resolving: b9 and b13 are in the key\n10 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C7b13   # V7\u002Fvi in Ab: b9 and b13 are in the key\n11 | Fm6     # a minor sixth chord: Dorian\n11 | D7#9#5  # V7 of G7b9, on the way to F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n12 | G7b9    # V7 of C7b9, on the way to F minor: b9 and b13 are in the key\n12 | C7b9    # V7 of F minor, the chain's last link: b9 and b13 are in the key\n13 | Fm6     # a minor sixth chord: Dorian\n14 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n@ending 1 11 12\n@ending 2 13 14\n\nsection: B\n1  | Bbm7    # ii: Dorian, the key’s own notes\n1  | E7#11   # tritone substitute: resolves down a half step to Eb9sus\n2  | Eb9sus  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | Eb7b9   # V7 of Ab: the b9 from the symbol\n3  | AbMaj7  # tonic: the 4th is in the key\n3  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Dm7b5   # iiø7 of G7b9#5: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9#5  # V7\u002Fiii in Ab: b9 and b13 are in the key, the #11 from the symbol\n5  | Em7     # ii of the ii–V to D minor\n5  | A7      # V7\u002F#iv in Ab: b9, #11 and b13 are in the key\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # extended dominant: V7 of C7\n7  | C7      # III7 in Ab, not resolving: b9 and b13 are in the key\n7  | G7b9    # VII7 in Ab, not resolving: b9 and b13 are in the key\n8  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C7b13   # V7\u002Fvi in Ab: b9 and b13 are in the key\n\nsection: A2\n1  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | D7#9#5  # V7 of G7#9b5, on the way to F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | G7#9b5  # V7 of C7b9, on the way to F minor: b9, #9, #11 and 13 from the symbol\n2  | C7b9    # V7 of F minor, the chain's last link: b9 and b13 are in the key\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n4  | Eb7     # extended dominant: V7 of Ab7\n4  | Ab7     # V7\u002FIV in Ab: natural tensions\n5  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n5  | Bbm7    # ii: Dorian, the key’s own notes\n6  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n6  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | F7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n8  | Eb7     # extended dominant: V7 of Ab7\n8  | Ab7     # V7\u002FIV in Ab: natural tensions\n9  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n9  | G7      # VII7 in Ab, not resolving: b9 and b13 are in the key\n10 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C7b13   # V7\u002Fvi in Ab: b9 and b13 are in the key\n11 | Fm6     # a minor sixth chord: Dorian\n12 | Fm6\n",1793575885133]