[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:chovendo-na-roseira":3},"title: Chovendo na Roseira\ncomposer: Antonio Carlos Jobim\nstyle: Brazilian\nkey: Gb\ntime: 3\u002F4\nform: ABC, 40 bars\nrecording: Antonio Carlos Jobim; Stone Flower; CTI; 1970\nyoutube: 8KVtgzOTqDw\n# analysis: 2026-10-28, rules v2; Gb\n# recording: recorded March to May 1970, Van Gelder Studio, prod. Creed Taylor, arr. Eumir Deodato (CTI 6002), as the instrumental \"Children's Games\"; the composer's own first recording, rule 1; the sung version with Elis Regina is on Elis & Tom (Philips 1974); sources: Discogs, Wikipedia (Stone Flower); video: Masterworks Jazz \"Provided to YouTube\" upload, Stone Flower (CTI Records 40th Anniversary Edition), 3:28\n\nsection: A\n# area: Gb major (A 1 – B 7)\n1  | F#6        # tonic: the 4th is in the key\n2  | F#9sus     # static sus: Mixolydian\n3  | F#6        # tonic: the 4th is in the key\n4  | F#9sus     # static sus: Mixolydian\n5  | F#6        # tonic: the 4th is in the key\n6  | F#9sus     # static sus: Mixolydian\n7  | D#7sus     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | D#7sus\n9  | D#7sus\n10 | D#7b9      # VI7 in Gb, not resolving: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1  | C#m7       # ii of the ii–V to B\n2  | C#m7\n3  | F#7        # V7\u002FIV in Gb: natural tensions\n4  | BMaj7      # the F#7 before it makes B the key of the moment: the 4th is in the key\n5  | E\u002FB        # ♭VII, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n6  | BMaj7      # IV: the #4 is the key’s 7th\n7  | E\u002FB        # ♭VII, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n# area: A major (B 8 – C 14)\n8  | Bm7        # ii of the ii–V to A\n9  | Bm7\n10 | E7         # V7 of A: natural tensions\n11 | AMaj7      # tonic: the 4th is in the key\n12 | D\u002FA        # IV: the #4 is the key’s 7th\n13 | AMaj7      # tonic: the 4th is in the key\n14 | D\u002FA        # IV: the #4 is the key’s 7th\n@time 3 2\u002F4\n@time 4 3\u002F4\n@time 10 2\u002F4\n@time 11 3\u002F4\n\nsection: C\n1  | G#7sus     # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | G#7        # VII7 in A, not resolving: b9 and b13 are in the key\n3  | G#m7       # a borrowed minor chord: Dorian, its own key\n4  | G#7sus     # static sus: Mixolydian\n5  | G#7sus4b9  # from the symbol: sus b9\n6  | G#7        # VII7 in A, not resolving: b9 and b13 are in the key\n7  | A7\u002FG#      # tritone substitute: resolves down a half step to G#sus\n8  | G#sus      # static sus: Mixolydian\n9  | G#6        # a non-tonic major chord: Lydian\n10 | G6         # ♭VII6, borrowed from A minor: Lydian (its ♯11 is in the key)\n11 | G#7sus4b9  # from the symbol: sus b9\n12 | G#7sus     # V7sus4 of C#7sus: the b13 is in the key\n13 | C#7sus     # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | C#7sus\n# area: Gb major (C 15–16)\n15 | C#7b9      # V7 of Gb: the b9 from the symbol\n16 | C#7b9\n",1793484798746]