[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cherokee":3},"title: Cherokee\ncomposer: Ray Noble\nstyle: Up\nkey: Bb\nform: AABA, 64 bars\nrecording: Clifford Brown and Max Roach; Study in Brown; EmArcy; 1955\nyoutube: 8BDS4ONdKHk\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1955-02-25, Capitol Studio, New York, with Harold Land, Richie Powell, George Morrow, master 11366-2, MG 36037; songbook standard (Charlie Barnet's 1939 hit) → the instrumental jazz reference (Parker's Ko-Ko, on its changes, has another title); sources: microgroove.jp, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Study In Brown, the same take\n\n# bar | chord | scale\n# the standard changes; the lead sheet's alternates (Eb7, Dm7 G7b9, Db7, Gb7#11, F7alt) are left out\n\nsection: A1\n# area: Bb major (A1 1 – A2 13)\n1  | BbMaj7  # tonic: the 4th is in the key\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7\u002FIV in Bb: natural tensions\n4  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Ab7#11  # back door bVII7 to BbMaj7: the #11 is in the key\n7  | BbMaj7  # tonic: the 4th is in the key\n9  | C7      # II7 in Bb, not resolving: natural tensions\n11 | Cm7     # ii of the ii–V to Bb\n12 | F7      # V7 of Bb: natural tensions\n13 | BbMaj7  # tonic: the 4th is in the key\n15 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n\nsection: A2\nbars: 16\n1  | BbMaj7  # tonic: the 4th is in the key\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7\u002FIV in Bb: natural tensions\n4  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Ab7#11  # back door bVII7 to BbMaj7: the #11 is in the key\n7  | BbMaj7  # tonic: the 4th is in the key\n9  | C7      # II7 in Bb, not resolving: natural tensions\n11 | Cm7     # ii of the ii–V to Bb\n12 | F7      # V7 of Bb: natural tensions\n13 | BbMaj7  # tonic: the 4th is in the key\n\nsection: B\n# area: B major (B 1–3)\n1  | C#m7    # ii of the ii–V to B\n2  | F#7     # V7 of B: natural tensions\n3  | BMaj7   # tonic: the 4th is in the key\n# area: A major (B 5–7)\n5  | Bm7     # ii of the ii–V to A\n6  | E7      # V7 of A: natural tensions\n7  | AMaj7   # tonic: the 4th is in the key\n# area: G major (B 9–11)\n9  | Am7     # ii of the ii–V to G\n10 | D7      # V7 of G: natural tensions\n11 | GMaj7   # tonic: the 4th is in the key\n# area: Bb major (B 13 – A3 13)\n13 | Gm7     # ii of C7: Dorian\n14 | C7      # V7\u002FV in Bb: natural tensions\n15 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n\nsection: A3\ncopy: A2\n",1793484798726]