[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cheetah":3},"title: Cheetah\ncomposer: Kenny Burrell\nstyle: Up Tempo Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1 | BbMaj7  # tonic: the 4th is in the key\n2 | Cm7     # ii: Dorian, the key’s own notes\n2 | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n3 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | G7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n4 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n4 | F7      # extended dominant: V7 of Bb7\n5 | Bb7     # V7\u002FIV in Bb: natural tensions\n6 | Eb      # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6 | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n7 | Bb\u002FF    # tonic: the 4th is in the key\n7 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n8 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | F7      # V7 in Bb, not resolving: natural tensions\n9 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n9 | F7      # V7 of Bb: natural tensions\n9 | Bb6     # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Am7     # ii of D7: Dorian\n2 | D7      # extended dominant: V7 of G7\n3 | G7      # VI7 in Bb, not resolving: the b13 is in the key\n4 | G7\n5 | Gm7     # ii of C7: Dorian\n6 | C7      # V7\u002FV in Bb: natural tensions\n7 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1 | BbMaj7  # tonic: the 4th is in the key\n2 | Cm7     # ii: Dorian, the key’s own notes\n2 | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n3 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | G7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n4 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n4 | F7      # extended dominant: V7 of Bb7\n5 | Bb7     # V7\u002FIV in Bb: natural tensions\n6 | Eb      # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6 | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n7 | Bb\u002FF    # tonic: the 4th is in the key\n7 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n8 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | F7      # V7 of Bb: natural tensions\n@coda 7\n\nsection: Coda\n1 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n1 | F7      # V7 of Bb: natural tensions\n1 | Bb6     # tonic: the 4th is in the key\n@coda 1\n",1793575884952]