[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:chant":3},"title: Chant\ncomposer: Duke Pearson\nstyle: Medium Swing\nkey: Cm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A1\n1 | Cm7     # tonic minor: Dorian by convention\n1 | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n2 | Bbm6    # a minor sixth chord: Dorian\n3 | F\u002FA     # a non-tonic major chord: Lydian\n3 | Ab7     # tritone substitute: resolves down a half step to G7b9\n4 | G7b9    # V7 in C minor, not resolving: b9 and b13 are in the key\n5 | Fm7     # iv: Dorian, the key’s own notes\n5 | Eb6     # bIII of C minor: the relative major itself\n6 | D7#9    # V7 of V7: the dominant of the dominant: b9, #9 and #11 from the symbol\n7 | G7b9    # V7 in C minor, not resolving: b9 and b13 are in the key\n7 | Ab7     # bVI7 in C minor, not resolving: the #11 is in the key\n8 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | G7b9    # V7 of C minor: b9 and b13 are in the key\n\nsection: A2\n1 | Cm7     # tonic minor: Dorian by convention\n1 | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n2 | Bbm6    # a minor sixth chord: Dorian\n3 | F\u002FA     # a non-tonic major chord: Lydian\n3 | Ab7     # tritone substitute: resolves down a half step to G7b9\n4 | G7b9    # V7 in C minor, not resolving: b9 and b13 are in the key\n5 | Fm7     # iv: Dorian, the key’s own notes\n5 | Eb6     # bIII of C minor: the relative major itself\n6 | D7#9    # V7 of V7: the dominant of the dominant, on the way to C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | G7b9    # V7 of C minor, the chain's last link: b9 and b13 are in the key\n7 | Cm7     # tonic minor: Dorian by convention\n7 | G7b9    # V7 of C minor: b9 and b13 are in the key\n8 | Cm7     # tonic minor: Dorian by convention\n8 | Bb7     # bVII7 in C minor, not resolving: natural tensions\n\nsection: B\n1 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7b9    # V7\u002Fv in C minor: b9 and b13 are in the key\n2 | Gm7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n3 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | C7b9    # V7\u002Fiv in C minor: the b13 is in the key, the b9 from the symbol\n4 | Fm7     # iv: Dorian, the key’s own notes\n4 | Fm7\u002FEb  # iv: Dorian, the key’s own notes\n5 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | G7b9    # V7 of C minor: b9 and b13 are in the key\n6 | Cm7     # tonic minor: Dorian by convention\n6 | Cm7\u002FBb  # tonic minor: Dorian by convention\n7 | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | D7b9    # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n8 | G7b9    # V7 of C minor, the chain's last link: b9 and b13 are in the key\n\nsection: A3\n1 | Cm7     # tonic minor: Dorian by convention\n1 | Bdim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n2 | Bbm6    # a minor sixth chord: Dorian\n3 | F\u002FA     # a non-tonic major chord: Lydian\n3 | Ab7     # tritone substitute: resolves down a half step to G7b9\n4 | G7b9    # V7 in C minor, not resolving: b9 and b13 are in the key\n5 | Fm7     # iv: Dorian, the key’s own notes\n5 | Eb6     # bIII of C minor: the relative major itself\n6 | D7#9    # V7 of V7: the dominant of the dominant, on the way to C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | G7b9    # V7 of C minor, the chain's last link: b9 and b13 are in the key\n7 | Cm7     # tonic minor: Dorian by convention\n7 | G7b9    # V7 of C minor: b9 and b13 are in the key\n8 | Cm7     # tonic minor: Dorian by convention\n",1793575884862]