[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:change-of-mind":3},"title: Change of Mind\ncomposer: Bob Mintzer\nstyle: Medium swing\ntime: 3\u002F4\nkey: F\nform: ABCD, 70 bars\nrecording: Peter Erskine; Peter Erskine; Contemporary; 1982\nyoutube: rpG54XD3ji0\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded June 1982, NYC, Peter Erskine with Bob Mintzer, Michael Brecker, Randy Brecker, Kenny Kirkland, Don Grolnick, Mike Mainieri, Eddie Gomez, Don Alias, Contemporary 14010; the first recording found, with the composer on tenor (Jazz Journal, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Peter Erskine, the same take\n\n# the intro (4\u002F4, 5\u002F4, 3\u002F4 horn and bass figures, repeated) is written out with no chord symbols: left out\n# the form is in 3\u002F4; the head is ABCD, solos on ABC, then D (with pickup) and D.S. al Fine\n# chords in brackets are the solo changes\n# printed A13sus (A bar 1, B bar 1, D bar 17) and Dm13 (D bar 1): written A9sus4 and Dm9, the nearest symbols the library reads\n# bar | chord\n\nsection: A\nkey: D\nbars: 16\n# area: D major (A 1 – B 16)\n1  | A9sus4     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | A13b9      # V7 of D: the b9 from the symbol\n3  | DMaj7#5    # from the symbol: #5\n4  | Bm\u002FD       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | C#7#9#5    # V7\u002Fiii in D: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | F#m11      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Eb13#9#11  # tritone substitute: resolves down a half step to D13; b9 and #9 from the symbol\n9  | D13        # I7 in D, not resolving: natural tensions\n10 | Bm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | F#m9       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Eb\u002FG       # ♭II, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n13 | E\u002FG#       # a non-tonic major chord: Lydian\n@segno 1\n# bar 13: Eb(add9)\u002FG, E(add9)\u002FG#, held to bar 16 (let ring)\n# alt (solos): bars 13–14 (E9sus), bars 15–16 (E7alt)\n\nsection: B\nkey: D\n1  | A9sus4     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | A13b9      # V7 of D: the b9 from the symbol\n3  | DMaj7#5    # from the symbol: #5\n4  | Bm\u002FD       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | C#7#9#5    # V7\u002Fiii in D: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | F#m11      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Eb13#9#11  # tritone substitute: resolves down a half step to D13; b9 and #9 from the symbol\n9  | D13        # I7 in D, not resolving: natural tensions\n10 | Bm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | F#m9       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Eb\u002FG       # ♭II, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n13 | E\u002FG#       # a non-tonic major chord: Lydian\n14 | B\u002FD#       # a non-tonic major chord: Lydian\n15 | C#m7       # a borrowed minor chord: Dorian, its own key\n15 | G\u002FEb       # IV: the #4 is the key’s 7th\n15 | C\u002FF        # ♭VII, borrowed from D minor: Lydian (its ♯11 is in the key)\n16 | F#\u002FG       # a non-tonic major chord: Lydian\n16 | Bb\u002FC       # ♭VI, borrowed from D minor: Lydian (its ♯11 is in the key)\n# bars 13, 14: Eb(add9)\u002FG, E(add9)\u002FG#, B(add9)\u002FD#\n# alt (solos): bars 13–15 (E7alt), bar 16 (Gm7 C7#9)\n\nsection: C\nkey: F\n# area: F major (C 1 – D 20)\n1  | FMaj7      # tonic: the 4th is in the key\n2  | A7#9#5     # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Dm11       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Ab13#11    # tritone substitute: resolves down a half step to Gm7\n5  | Gm7        # ii: Dorian, the key’s own notes\n6  | A7#5       # V7\u002Fvi in F: b9 and b13 are in the key, the #11 from the symbol\n7  | Dm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Gm9        # ii of the ii–V to F\n8  | C9sus      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9  | FMaj7      # tonic: the 4th is in the key\n10 | A7#9#5     # V7\u002Fvi in F: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Dm11       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Ab13#11    # V7\u002FbVI in F: the #11 is in the key\n13 | DbMaj7     # ♭VImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n14 | C7#9#5     # V7 of F: b9, #9, #11 and b13 from the symbol\n15 | F          # tonic: the 4th is in the key\n16 | A\u002FC#       # a non-tonic major chord: Lydian\n# bar 15: F(add9)\n# alt (solos): bar 16 (F(add9))\n\nsection: D\nkey: F\n1  | Dm9        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | F\u002FB        # tonic: the 4th is in the key\n2  | F\u002FD        # tonic: the 4th is in the key\n3  | Eb\u002FE       # ♭VII, borrowed from F minor: Lydian (its ♯11 is in the key)\n3  | Eb\u002FA       # ♭VII, borrowed from F minor: Lydian (its ♯11 is in the key)\n4  | Bm7        # ii of E9sus: Dorian\n5  | E9sus      # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | E7alt      # from the symbol: altered\n9  | Am7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Bb\u002FB       # IV: the #4 is the key’s 7th\n10 | Bb\u002FD       # IV: the #4 is the key’s 7th\n11 | Ab\u002FG       # ♭III, borrowed from F minor: Lydian (its ♯11 is in the key)\n12 | Em7        # a borrowed minor chord: Dorian, its own key\n13 | C\u002FF        # V without its 7th: Mixolydian, the key’s own notes\n14 | Bb\u002FA       # IV: the #4 is the key’s 7th\n15 | Ab\u002FB       # ♭III, borrowed from F minor: Lydian (its ♯11 is in the key)\n16 | Em7        # ii of A9sus4: Dorian\n17 | A9sus4     # III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n18 | A13b9      # III7 in F, not resolving: the b9 is in the key, the 13 from the symbol\n19 | Am9        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n20 | Gm9        # ii: Dorian, the key’s own notes\n20 | FMaj9      # tonic: the 4th is in the key\n@nav 20 Fine\n# the Fine falls on bar 22; bars 21–22 hold FMaj9\n",1793484798666]