[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ceora":3},"title: Ceora\nsubtitle: Bossa nova\ncomposer: Lee Morgan\nstyle: Latin\nkey: Ab\nform: AB, 32 bars\nrecording: Lee Morgan; Cornbread; Blue Note; 1967\nyoutube: uRjshy_n_yE\n# analysis: 2026-10-19, rules v2; Ab\n# recording: recorded 1965-09-18, Van Gelder Studio, Englewood Cliffs (Hank Mobley, Herbie Hancock, Larry Ridley, Billy Higgins; Jackie McLean sits out), the first recording of it, BLP 4222 (jazzdisco); video: \"Provided to YouTube by Universal Music Group\", Cornbread, the same take\n\n# bar | chord | scale\n\nsection: A\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Ebm7    # ii of the ii–V to Db\n4  | Ab7     # V7\u002FIV in Ab: natural tensions\n5  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n6  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7#9    # V7\u002Fiii in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | F7#9    # V7\u002Fii in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # V7\u002FI in Ab: natural tensions\n11 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | F7      # extended ii–V: a side-step, its own key\n13 | Dm7     # ii of the ii–V to C minor\n14 | G7      # V7\u002Fiii in Ab: b9 and b13 are in the key\n15 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | F7      # V7\u002Fii in Ab: the b13 is in the key\n16 | Bbm7    # ii of the ii–V to Ab\n16 | Eb7     # V7 of Ab: natural tensions\n\nsection: B\n1  | AbMaj7  # tonic: the 4th is in the key\n2  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7     # V7 of Ab: natural tensions\n3  | AbMaj7  # tonic: the 4th is in the key\n4  | Ebm7    # ii of the ii–V to Db\n4  | Ab7     # V7\u002FIV in Ab: natural tensions\n5  | DbMaj7  # the Ab7 before it makes Db the key of the moment: the 4th is in the key\n6  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7#9    # V7\u002Fiii in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n7  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | F7#9    # V7\u002Fii in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Bbm7    # ii of Eb7: Dorian\n10 | Eb7     # V7\u002FI in Ab: natural tensions\n11 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | F7#9    # V7\u002Fii in Ab: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | Bbm7    # ii of the ii–V to Ab\n14 | Eb7     # V7 of Ab: natural tensions\n15 | AbMaj7  # tonic: the 4th is in the key\n16 | Bbm7    # ii of the ii–V to Ab\n16 | Eb7     # V7 of Ab: natural tensions\n",1793484798658]