[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:carolina":3},"title: Carolina\ncomposer: Chico Buarque\nstyle: Bossa Nova\nkey: E\nform: ABAB, 72 bars\nrecording: Chico Buarque; Chico Buarque de Hollanda Volume 3; RGE; 1968\nyoutube: 8BU6mOAhO3I\n# analysis: 2026-10-28, rules v2; E\n# recording: first issued on the RGE single CS-70.286 (1967), first LP RGE XRLP-5.320 (1968); the composer's own first recording, rule 1; Cynara & Cybele sang it at the 1967 FIC; sources: Discogs; video: Zebralution \"Provided to YouTube\" upload, Minhas Primeiras Gravações, 2:39 against the LP's 2:39, the same take\n\nsection: A1\n# area: E major (A1 1 – B2 20)\n1  | EMaj7   # tonic: the 4th is in the key\n2  | EMaj7\n3  | D#m7b5  # iiø7 of C# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G#13b9  # V7\u002Fvi in E: the b9 is in the key, the 13 from the symbol\n5  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | G#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C#7b9   # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n7  | F#m7    # ii of B9: Dorian\n8  | B9      # V7\u002FI in E: natural tensions\n9  | F#m7    # ii of the ii–V to E\n10 | B9      # V7 of E: natural tensions\n11 | EMaj7   # tonic: the 4th is in the key\n12 | EMaj7\n13 | C#m9    # ii of F#7: Dorian\n14 | F#7     # V7\u002FV in E: natural tensions\n15 | F#m7    # ii of the ii–V to E\n16 | B7b9    # V7 of E: the b9 from the symbol\n\nsection: B1\n1  | EMaj7   # tonic: the 4th is in the key\n2  | EMaj7\n3  | D#m7b5  # iiø7 of C# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G#7b13  # V7\u002Fvi in E: b9 and b13 are in the key\n5  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | C#m7\n7  | Bm7     # a borrowed minor chord: Dorian, its own key\n8  | C#7b9   # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n9  | F#m7    # ii: Dorian, the key’s own notes\n10 | Am6     # a minor sixth chord: Dorian\n11 | EMaj7   # tonic: the 4th is in the key\n12 | C#m7    # ii of F#13: Dorian\n13 | F#13    # V7\u002FV in E: natural tensions\n13 | F#7b13  # II7 in E, not resolving: the b13 from the symbol\n14 | F#7     # II7 in E, not resolving: natural tensions\n15 | F#m7    # ii of the ii–V to E\n16 | B7b9    # V7 of E: the b9 from the symbol\n\nsection: A2\ncopy: A1\n\nsection: B2\n1  | EMaj7   # tonic: the 4th is in the key\n2  | EMaj7\n3  | D#m7b5  # iiø7 of C# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G#7b13  # V7\u002Fvi in E: b9 and b13 are in the key\n5  | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | C#m7\n7  | Bm7     # a borrowed minor chord: Dorian, its own key\n8  | C#7b9   # V7\u002Fii in E: the b13 is in the key, the b9 from the symbol\n9  | F#m7    # ii: Dorian, the key’s own notes\n10 | Am6     # a minor sixth chord: Dorian\n11 | EMaj7   # tonic: the 4th is in the key\n12 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | F#m7    # ii of B9: Dorian\n14 | B9      # V7\u002FI in E: natural tensions\n15 | G#13    # III7 in E, not resolving: the b9 is in the key, the 13 from the symbol\n15 | G#7     # V7 of C#7b9, on the way to F# minor: b9 and b13 are in the key\n16 | C#7b9   # V7 of F# minor, the chain's last link: b9 and b13 are in the key\n17 | F#m7    # ii: Dorian, the key’s own notes\n18 | Am6     # a minor sixth chord: Dorian\n19 | EMaj7   # tonic: the 4th is in the key\n20 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E minor (B2 21–24)\n21 | F#m7    # ii of the ii–V to E minor\n22 | B7b9    # V7 of E minor: b9 and b13 are in the key\n23 | Em7     # tonic minor: Dorian by convention\n24 | Em7\n",1793484798636]