[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:carinhoso":3},"title: Carinhoso\ncomposer: Pixinguinha\nstyle: Choro\nkey: F\nform: AAB, 55 bars\n# no recording: 78-era: Pixinguinha's own instrumental (Parlophon, 1928) and Orlando Silva's vocal (Victor 34181, recorded 1937-05-28), no confident first LP\n# analysis: 2026-10-28, rules v2; F\n\nsection: A\n1  | F\u002FC      # tonic: the 4th is in the key\n1  | F+\u002FC#    # from the symbol: augmented\n2  | F6\u002FD     # tonic: the 4th is in the key\n2  | F+\u002FC#    # from the symbol: augmented\n3  | F\u002FC      # tonic: the 4th is in the key\n3  | F+\u002FC#    # from the symbol: augmented\n4  | F6\u002FD     # tonic: the 4th is in the key\n4  | E7       # V7\u002Fiii in F: b9 and b13 are in the key\n5  | Am\u002FE     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Am#5\u002FF   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Am6\u002FF#   # a minor sixth chord: Dorian\n6  | Amb6\u002FF   # from the symbol: b6\n7  | Am\u002FE     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Am#5\u002FF   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Am6\u002FF#   # a minor sixth chord: Dorian\n8  | A7       # V7\u002Fvi in F: b9 and b13 are in the key\n9  | Dm7      # ii of G7: Dorian\n9  | G7       # V7 of V7: the dominant of the dominant: natural tensions\n10 | C7       # extended dominant: V7 of F7\n10 | F7       # V7\u002FIV in F: natural tensions\n11 | Bb       # the F7 before it makes Bb the key of the moment: the 4th is in the key\n11 | D7       # V7\u002Fii in F: the b13 is in the key\n12 | Gm7      # ii: Dorian, the key’s own notes\n13 | G7       # II7 in F, not resolving: natural tensions\n14 | Bbm6\u002FDb  # a minor sixth chord: Dorian\n14 | C7       # V7 of F: natural tensions\n15 | F        # tonic: the 4th is in the key\n15 | Bbm6\u002FDb  # a minor sixth chord: Dorian\n16 | F        # tonic: the 4th is in the key\n17 | F\n17 | E7       # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | Am       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | Am\u002FC     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7       # V7\u002Fiii in F: b9 and b13 are in the key\n3  | Am       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | E7       # V7\u002Fiii in F: b9 and b13 are in the key\n4  | Am       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Ab7      # ♭III7 from the parallel minor: Lydian Dominant\n5  | C\u002FG      # V without its 7th: Mixolydian, the key’s own notes\n5  | A7       # V7\u002Fvi in F: b9 and b13 are in the key\n6  | Dm7      # ii of the ii–V to C\n6  | G7       # V7\u002FV in F: natural tensions\n7  | C        # V without its 7th: Mixolydian, the key’s own notes\n7  | C#dim7   # vii°7 of Dm7: A7♭9 without its root\n8  | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | F#7      # V7\u002F#iv in F: b9, #11 and b13 are in the key\n9  | Bm7b5    # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n9  | Bbm      # iv from the parallel minor: Dorian, its notes\n10 | A7       # III7 in F, not resolving: b9 and b13 are in the key\n10 | N.C.\n11 | E7       # VII7 in F, not resolving: b9 and b13 are in the key\n12 | E7\u002FG#    # VII7 in F, not resolving: b9 and b13 are in the key\n13 | Gm7      # ii of the ii–V to F\n14 | C7       # V7 of F: natural tensions\n15 | F        # tonic: the 4th is in the key\n16 | A7       # V7\u002Fvi in F: b9 and b13 are in the key\n17 | Dm       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n17 | C#dim7   # passing diminished: C7♭9 without its C, the F7's dominant (Cm7 its ii)\n18 | Cm7      # ii of the ii–V to Bb\n18 | F7       # V7\u002FIV in F: natural tensions\n19 | Bb       # the F7 before it makes Bb the key of the moment: the 4th is in the key\n19 | D7\u002FF#    # V7\u002Fii in F: the b13 is in the key\n20 | Gm7      # ii: Dorian, the key’s own notes\n20 | Bbm\u002FDb   # iv from the parallel minor: Dorian, its notes\n21 | F\u002FC      # tonic: the 4th is in the key\n21 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n22 | Gm7      # ii of the ii–V to F\n22 | C7       # V7 of F: natural tensions\n23 | F        # tonic: the 4th is in the key\n23 | N.C.\n@coda 22\n\nsection: Coda\n1  | F        # tonic: the 4th is in the key\n1  | F7\u002FEb    # I7 in F, not resolving: natural tensions\n2  | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bbm\u002FDb   # iv from the parallel minor: Dorian, its notes\n3  | F\u002FC      # tonic: the 4th is in the key\n3  | F\u002FEb     # tonic: the 4th is in the key\n4  | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Bbm\u002FDb   # iv from the parallel minor: Dorian, its notes\n5  | F        # tonic: the 4th is in the key\n@coda 1\n",1793484798629]