[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:captain-marvel":3},"title: Captain Marvel\ncomposer: Chick Corea\nstyle: Samba\nkey: C\nform: ABB, 50 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–13)\n1  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Em7\n3  | Bm7        # a borrowed minor chord: Dorian, its own key\n4  | Bm7\n5  | F#m7       # a borrowed minor chord: Dorian, its own key\n6  | F#m7\n7  | Bbm7       # a borrowed minor chord: Dorian, its own key\n8  | Bbm7\u002FAb    # a borrowed minor chord: Dorian, its own key\n9  | Gm7b5      # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C7b9       # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n11 | DbMaj7     # ♭IImaj7, borrowed from C Phrygian: Lydian (its ♯11 is in the key)\n12 | GbMaj7#11  # from the symbol: #11\n13 | Cm7\u002FF      # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Bb major (A 14 – Coda 8)\n14 | F7         # V7 of Bb: natural tensions\n15 | BbMaj7     # tonic: the 4th is in the key\n16 | BbMaj7\n17 | EbMaj7#11  # from the symbol: #11\n18 | EbMaj7#11\n19 | BbMaj7\u002FD   # tonic: the 4th is in the key\n20 | Db7        # tritone substitute: resolves down a half step to Cm7\n21 | Cm7        # ii of F7: Dorian\n22 | F7         # V7\u002FI in Bb: natural tensions\n22 | F#dim      # vii°7 of Gm7: D7♭9 without its root\n23 | Gm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n24 | Gm7\n25 | AbMaj7     # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n26 | AbMaj7\n27 | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n28 | EbMaj7     # IV: the #4 is the key’s 7th\n29 | Em7b5      # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n30 | EbMaj7     # IV: the #4 is the key’s 7th\n31 | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n32 | Db7#11     # tritone substitute: resolves down a half step to Cm7\n33 | Cm7        # ii of Cm7\u002FF: Dorian\n34 | Cm7\u002FF      # static sus: Mixolydian\n\nsection: B\n1  | Gm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | F          # V without its 7th: Mixolydian, the key’s own notes\n2  | Eb         # IV: the #4 is the key’s 7th\n2  | F          # V without its 7th: Mixolydian, the key’s own notes\n3  | Gm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | F          # V without its 7th: Mixolydian, the key’s own notes\n4  | Eb         # IV: the #4 is the key’s 7th\n4  | F          # V without its 7th: Mixolydian, the key’s own notes\n5  | Eb         # IV: the #4 is the key’s 7th\n6  | Gm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Gm7\n8  | FmMaj7\u002FG   # from the symbol: minor-major 7th\n9  | FmMaj7\u002FG\n10 | Dm7\u002FG      # static sus: Mixolydian\n11 | Dm7\u002FG\n12 | FMaj7      # a non-tonic major chord: Lydian\n13 | FMaj7\n@coda 3\n@ending 1 4\n@ending 2 5 13\n\nsection: Coda\n1  | EbMaj7     # IV: the #4 is the key’s 7th\n2  | EbMaj7\n2  | Em         # a borrowed minor chord: Dorian, its own key\n3  | Em\n4  | Em\n4  | Cm7\u002FF      # static sus: Mixolydian\n5  | Cm7\u002FF\n6  | Cm7\u002FF\n7  | N.C.\n8  | F          # V without its 7th: Mixolydian, the key’s own notes\n8  | Gm         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n@coda 1\n",1793575884536]