[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:capim":3},"title: Capim\ncomposer: Djavan\nstyle: Bossa Nova\nkey: F\nform: ABB, 42 bars\nrecording: Djavan; Luz; CBS; 1982\nyoutube: zEat1FMPvB0\n# analysis: 2026-10-28, rules v2; F\n# recording: Discos CBS 138.251 (1982), prod. Ronnie Foster; the composer's own first recording, rule 1; sources: Discogs; video: DjavanVEVO official audio (verified artist channel), Luz, 4:19 against the LP's 4:16\n\nsection: Intro1\n# area: F major (Intro1 1 – A 9)\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Fdim7   # passing diminished: G7♭9 without its G, the C9's dominant; not functioning diatonically: the symmetric scale\n3  | Gm7     # ii of the ii–V to F\n4  | C9      # V7 of F: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Fdim7   # passing diminished: G7♭9 without its G, the C9's dominant; not functioning diatonically: the symmetric scale\n3  | Gm7     # ii of the ii–V to F\n4  | C9      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | Abdim7  # passing diminished: G7♭9 without its G, the C9's dominant (Gm7 its ii)\n7  | Gm7     # ii of C9: Dorian\n8  | C9      # V7\u002FI in F: natural tensions\n9  | Eb9#11  # tritone substitute: resolves down a half step to D9\n# area: G major (A 10 – B1 1)\n10 | D9      # V7 of G: natural tensions\n@segno 1\n\nsection: B1\n1  | GMaj7   # tonic: the 4th is in the key\n# area: F major (B1 2–10)\n2  | C9      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Gm7     # ii: Dorian, the key’s own notes\n4  | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Bm11    # a borrowed minor chord: Dorian, its own key\n6  | Bb7#11  # tritone substitute: resolves down a half step to A9\n7  | A9      # III7 in F, not resolving: the b13 is in the key, the 9 from the symbol\n8  | A9\n9  | Cm7     # ii of F9: Dorian\n10 | F9      # V7\u002FIV in F: natural tensions\n# area: G major (B1 11 – B2 1)\n11 | Bm7b5   # iiø7 of E7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | E7b13   # extended dominant: each one falls a fifth into the next: the b13 from the symbol\n13 | A9      # V7 of V7: the dominant of the dominant: natural tensions\n14 | D7      # V7 of G: natural tensions\n15 | GMaj7   # tonic: the 4th is in the key\n16 | C9      # IV7 in G, not resolving: the #11 is in the key; the repeat at B2 bar 16 would be C Mixolydian\n@nav 16 D.S. al Coda\n@coda 16\n\nsection: B2\ncopy: B1\n\nsection: Coda1\n1  | FMaj7   # tonic: the 4th is in the key\n2  | Fdim7   # passing diminished: G7♭9 without its G, the C9's dominant; not functioning diatonically: the symmetric scale\n3  | Gm7     # ii of the ii–V to F\n4  | C9      # V7 of F: natural tensions\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484798561]