[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:canto-de-ossanha":3},"title: Canto de Ossanha\ncomposer: Vinicius de Moraes, Baden Powell\nstyle: Bossa Nova\nkey: Dm\nform: AABBCD, 50 bars\nrecording: Baden Powell and Vinicius de Moraes; Os Afro-Sambas; Forma; 1966\nyoutube: NQKIVYlBKdc\n# analysis: 2026-10-29, rules v2; D minor\n# recording: recorded January 1966, Rio, with Quarteto em Cy, Forma FE 1.016, side A track 1 (also on the Forma single FS 100.001), prod. Roberto Quartin and Wadi Gebara; the composers' own first recording, rule 1; Elis Regina, Tamba Trio and Quarteto em Cy singles followed the same year; sources: Discogs, Wikipedia (Os Afro-Sambas); video: Universal Music Group \"Provided to YouTube\" upload, Os Afro-Sambas de Baden e Vinícius, ℗ 1966, 3:24\n\nsection: Intro1\n# area: D minor (Intro1 1–2)\n1  | Dm      # tonic minor: Dorian by convention\n2  | F6      # bIII of D minor: the relative major itself\n# area: Eb major (Intro1 3–4)\n3  | E7      # tritone substitute: resolves down a half step to EbMaj7\n4  | EbMaj7  # tonic: the 4th is in the key; the repeat at Intro2 bar 4 would be Eb Lydian\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Dm      # tonic minor: Dorian by convention\n2  | F6      # bIII of D minor: the relative major itself\n3  | E7      # tritone substitute: resolves down a half step to EbMaj7\n4  | EbMaj7  # a non-tonic major chord: Lydian\n5  | Dm      # tonic minor: Dorian by convention\n6  | F6      # bIII of D minor: the relative major itself\n7  | E7      # tritone substitute: resolves down a half step to EbMaj7\n8  | EbMaj7  # a non-tonic major chord: Lydian\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | D       # a non-tonic major chord: Lydian\n2  | D\n3  | D69     # a non-tonic major chord: Lydian\nalt 3  | Bm7     # a borrowed minor chord: Dorian, its own key\n4  | D69\nalt 4  | Bm7\u002FA   # a borrowed minor chord: Dorian, its own key\nalt 4  | Bm7     # a borrowed minor chord: Dorian, its own key\n5  | G6      # a non-tonic major chord: Lydian\n6  | G6\n7  | E9      # extended dominant: V7 of A7sus\n8  | A7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | A13     # V7 in D minor, not resolving: the b9 is in the key, the 13 from the symbol\n9  | G6      # a non-tonic major chord: Lydian\n10 | A7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | A13     # extended dominant: V7 of D11\n@segno 1\n@coda 6\n@ending 1 5 8\n@ending 2 9 10\n\nsection: C\n1  | D11     # static sus: Mixolydian\n2  | D11\n3  | D11\n4  | Dm      # tonic minor: Dorian by convention\n5  | F6      # bIII of D minor: the relative major itself\n6  | E7      # tritone substitute: resolves down a half step to EbMaj7\n7  | EbMaj7  # a non-tonic major chord: Lydian\n@nav 6 D.S. al Coda\n\nsection: Coda\n1  | E9      # V7 of V7: the dominant of the dominant: natural tensions\n2  | A13     # V7 in D minor, not resolving: the b9 is in the key, the 13 from the symbol\n2  | C13     # bVII7 in D minor, not resolving: natural tensions\n@coda 1\n\nsection: D\n1  | F       # bIII of D minor: the relative major itself\n2  | F\n3  | Dm7     # ii of G9: Dorian\n4  | Dm7\n5  | G9      # extended dominant: V7 of C13\n6  | C13     # bVII7 in D minor, not resolving: natural tensions\n7  | E7b9\u002FB  # V7 of V7: the dominant of the dominant, on the way to D minor: b9 and b13 are in the key\n8  | A7b13   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n9  | Dm      # tonic minor: Dorian by convention\n10 | F6      # bIII of D minor: the relative major itself\n# area: Eb major (D 11–13)\n11 | E7      # tritone substitute: resolves down a half step to EbMaj7\n12 | EbMaj7  # tonic: the 4th is in the key\n13 | Dm      # a borrowed minor chord: Dorian, its own key\n",1793484798553]